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It is a member of the International Federation of Film Archives. The Archive is a division of the UCLA Library. As of January 2021, its collection hosted more than 500,000 items, including approximately 159,000 motion picture titles and 132,000 television titles, more than 27 million feet of newsreels, more than 222,000 broadcast recordings and ...
Jun 14 – 30. This year’s program champions the work of new and emerging directors while bringing back to the screen a landmark of Iranian cinema. Making its world restoration premiere, writer-director Marva Nabili’s The Sealed Soil (1977) was the first feature film directed by an Iranian woman.
UCLA Film & Television Archive. The world’s largest university-held collection, the UCLA Film & Television Archive carefully rescue, preserve, and showcase moving image media. Archive website.
Established in 1965, the Archive is the second-largest repository of motion pictures and broadcast programming in the United States, after the Library of Congress, and the world's largest university-held collection.
With over 350,000 motion pictures and 170,000 television programs, and 27 million feet of newsreel footage, the UCLA Film & Television Archive is the largest university-held collection of motion pictures and broadcast programming. For more information on our collections or to arrange research viewing, please contact the Archive Research and ...
UCLA is a national and international leader in the breadth and quality of its academic, research, health care, cultural, continuing education and athletic programs. The Archive is a longtime partner of the UCLA School of Theater, Film and Television, a premier interdisciplinary global professional school that develops outstanding humanistic ...
The UCLA Film & Television Archive was established as a joint venture. During its early years, the Archive amassed a serious film collection with the donation of the Paramount Pictures Nitrate Print Library, which included almost all of the sound films the studio had produced between 1930 and 1950.
