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My thesis explores the driving forces that compelled the production of parietal art in the Upper Paleolithic caves of the Franco-Cantabrian region of Europe. This period, from about 40,000 to 10,000 years ago, spans the last cycle of the Ice Age in this region.
Most studies of Upper Palaeolithic art are characterized by a focus on the interpretation of imagery and the (often implicit) view that temporal and spatial variability is primarily stochastic in nature.
Interpreting Sapiens’ Consciousness through Paleolithic Cave Art: The Lascaux Testament xi natural world and ethological changes in the animals I have developed an evidentiary strand to anchor some of my interpretations which adds a level of certainty to them. I also argue that the artwork shows they were aware of the day-night cycle
This paper discusses how recent advances in technology have revolutionized the study and interpretation of Paleolithic cave art. The interpretation of Paleolithic symbolic systems is a complex process and hypotheses must be applied to cave art with the greatest of precision.
- oscar moro abadia
The Upper Paleolithic Cognitive Revolution: Cave Paintings and Venus Figurines Cave paintings fit our current definition of art. They include paintings of humans and animals that might represent
Mar 1, 2022 · Upper Pale olithic rock and cave art sites with bison and aurochs images in southwestern Europe (see also Figure 9.1 for regions; data from ARIANE database, used by permission of Georges...
Jun 14, 2020 · PDF | On Jun 14, 2020, Mihaela Cazacu-Davidescu published Interpretations of the art of Upper Paleolithic from the space of Central Europe | Find, read and cite all the research you need...
