Search results
Oct 25, 2018 · (In fact, impressionist and even neoclassical elements appear in d’Indy’s work, and many conservative critics complained about the “modern” dissonances they heard.) Much more damaging to his legacy, however, have been his anti-republican and anti-Semitic convictions, honed in large part by the Dreyfus Affair.
May 1, 2008 · During the Dreyfus Affair (in which d’Indy served as a prominent anti-Dreyfusard spokesman), this ‘aesthetic’ antagonism towards selected Jewish artists metastasized into the full-blown and noxious anti-Semitism that remained with him; he incorporated ideas that became current in French anti-Semitic thought in the 1880s, when its ...
- Brian Hart
- 2008
Debussy's 'Impressionist' pieces and incorporated aspects of their work (his quarrel was with the composer's self-proclaimed disciples himself); further, many of his chamber compositions from the 1920s neoclassical.2 Much more damaging, however, has been d'Indy's Right and anti-Semitic convictions.
Vincent d'Indy. Paul Marie Théodore Vincent d'Indy ( French: [vɛ̃sɑ̃ dɛ̃di]; 27 March 1851 – 2 December 1931) was a French composer and teacher. His influence as a teacher, in particular, was considerable. He was a co-founder of the Schola Cantorum de Paris and also taught at the Paris Conservatoire.
Vincent d'Indy employed nation- nationalism and its accompanying alistic terms to express antisemitism tendencies of antisemitism. as well. In 1903 d Indy began to February of 1871 Romaine Bussine, compose La Legende de Saint-Christophe, a voice teacher at the a work he preferred to call a musical Conservatory, and the Jewish
D'Indy also implied that the trend initiated by Renaissance music, where pride fed on populist musical discourse, was exploited by Jews in the burgeoning mass-market economy of the 19th century. Keywords: Jews, anti-Semitism, music, musicians, composers, French opera. Subject.
Vallas, Léon, Vincent d'Indy (Paris, 1950), 327. Google Scholar D'Indy referred to his opera as a ‘drame anti-juif’ in a letter of 17 September 1903 to Pierre de Bréville. Vallas was a close friend of d'Indy from 1900 onwards, and since d'Indy said very little about the opera himself, Vallas is a most valuable source.
