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  1. We're Not Married

    We're Not Married

    1952 · Comedy · 1h 25m

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  1. We're Not Married! is a 1952 American anthology romantic comedy film directed by Edmund Goulding. It was released by 20th Century Fox. The screenplay was written by Nunnally Johnson, while the story was adapted by Dwight Taylor from Gina Kaus's and Jay Dratler's unpublished work "If I Could Remarry".

  2. 40% Tomatometer 5 Reviews 50% Audience Score 1,000+ Ratings Five married couples discover, to their shock, that they're not really married! The justice of the peace who presided over...

    • (5)
    • Ginger Rogers
    • Edmund Goulding
    • Comedy
  3. 32 Reviews. Hide Spoilers. Sort by: Filter by Rating: 6/10. We're Not Married-Better to Elope After this One **1/2. edwagreen 28 July 2007. Victor Moore, as a justice of the peace, who didn't realize that his authority to marry people didn't start until January 1.

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  5. 8/10. We're Not Married! makes a wonderful mix of comedy and drama concerning the way various couples react when they find out they're not legally wed. Just watched this on Netflix Streaming. In this one, Victor Moore plays a justice of the peace who presided over six weddings before his license to do so took effect.

    • (2.3K)
    • Comedy, Romance
    • Edmund Goulding
    • 1952-12-17
  6. Due to the incompetence of a small town justice of the peace (Victor Moore), five couples discover three years later that their marriage is null and void. How they respond is the crux of the comedy and it's not what you expect. In fact, the film could be described as a savage satire on the institution itself.

  7. Oct 26, 2011 · Reviewed on: October 26th, 2011. Marilyn Monroe, David Wayne and James Gleason in We're Not Married! Although it is easy to dismiss We're Not Married! as merely a historical foot note in Marilyn Monroe's career, it is also worth noting that her story line is the funniest in the film.

  8. We're Not Married is an acerbic comedy of re-marriage that is so hilariously cynical, I bet it made Billy Wilder jealous. Review by Lencho of the Apes ★★½ It's not particularly heavy-handed, but it is all about reestablishing heteronormativity in moments when patriarchy-power seems to be faltering.

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