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- Desperadoes Under The Eaves (1976) Zevon’s songs were usually drawn from his own life and observations. “I realise how personal what I’m saying is, but I don’t know any other way of doing it.
- Keep Me In Your Heart (2003) As Zevon was dying he spent a lot of time during his illness working in a home studio on his final album, The Wind. Its closing song, Keep Me In Your Heart, was co-written with Jorge Calderón and featured the brilliant veteran drummer Jim Keltner, who remembered the emotionally-charged atmosphere when it came to recording the song.
- Accidentally Like A Martyr (1978) Zevon’s ex-wife Crystal said that when she was compiling the book I’ll Sleep When I’m Dead, she was shocked by “the degree of excess, the degree of torment, the degree of obsession” revealed in the story of the musician’s personal life.
- Excitable Boy (1978) “We had to be truly twisted to get Warren, and I mean that in a good way,” said singer-songwriter Bonnie Raitt. She could easily have been talking about his dark masterpiece Excitable Boy.
Jan 25, 2023 · Warren Zevon – harmonica, piano, rhythm guitar, string arrangements, vocals Jackson Browne – harmony vocals Jorge Calderón – harmony vocals The Gentlemen Boys – background vocals Bob Glaub – bass guitar Billy Hinsche – harmony vocals Sid Sharp – strings J.D. Souther – harmony vocals Carl Wilson – ha... Read more .
Jan 13, 2023 · Warren Zevon didn't start as a caustically funny singer-songwriter who'd amass some of music's biggest and best artists as lifelong fans and conspirators.His earliest records – first as part of ...
- Michael Gallucci
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- “Desperados Under The Eaves”
- “Tenderness on The Block”
- “Jeannie Needs A Shooter”
- “Trouble Waiting to Happen”
- “Nobody in Love This Year”
- “Susie Lightning”
- “Don’t Let Us Get Sick”
- “My Ride’S Here”
- “She’s Too Good For Me”
- “Tule’S Blues”
It wasn’t quite his debut album — 1969’s largely forgotten Wanted Dead or Aliveholds that distinction — but Zevon’s self-titled LP in 1976 is the one that cemented his reputation as an unparalleled chronicler of West Coast beauty and excess. This closing track sums it all up: A drunken wretch waits for his bill to come due and for the whole state t...
Zevon was never shy about availing himself of the finest talent on the West Coast rock scene, and they seemed to love working with him. Browne collaborated with him often, co-producing his first couple albums and even co-writing this perfectly-pitched character sketch about a girl headed to womanhood. The narrator essentially offers sobering advice...
Zevon found a kindred songwriting spirit in Bruce Springsteen on this ringing rocker from Bad Luck Streak in Dancing School. The girl’s name in the title and the theme of lovers on the run sound like The Boss, but the darker twists and turns in the song seem more like the creation of Zevon. Regardless of what the division of labor might have been, ...
Zevon took a five-year recording hiatus from 1982 to 1987, which, in the midst of a decade where many ‘70s stars seemed at sea, might have been a wise career move. When he returned with Sentimental Hygiene, he seemed re-energized. He invites a boatload of guest stars to this crystalline rocker, with Souther as co-writer, Don Henley on backing vocal...
The overbearing synths and the overdone concept hampered 1989’s Transverse Citysomewhat, but individual songs rose to the fore nonetheless. Mike Campbell’s guitar and Mark Isham’s horn add just the right touches to this country-tinged weeper. Zevon always had a knack for writing songs about how love is practically an impossibility considering how i...
With its psychedelic touches, this song from Mr. Bad Examplereally doesn’t sound like much else in the Zevon catalog. The song details the far-flung exploits of a globetrotting actress and the sad sap at home forever waiting for her return. You can sense the guy’s admiration for her, even as he concedes that she’s tearing him apart. Zevon gives one...
On the album Life’ll Kill Ya, Zevonbegan meditating on the ramifications of human beings knowing that their demise is inevitable, two years before he was diagnosed with the disease that would claim his own life. The closing track leaves all the false bravado and sneering behind, instead making a gentle acoustic plea for tenderness between loved one...
Zevon’s death came at a time when he seemed to be once again hitting his artistic stride, an irony he likely savored. My Ride’s Hereis an album where he used a wide variety of co-writers to help bring his vision to life. The elegiac title track enjoys some Dylanesque fun by playing with the mythic qualities of historical figures ranging from John K...
The Wind, Zevon’s final album which was recorded while he faced down a terminal illness and released just weeks before his death, features many meditations on his fate along with some touching farewells. But it also left us with one more song of interrupted love, as the narrator locates enough nobility amidst his heartbreak to set free a girl who’s...
The end of this list takes us back to the start of Zevon’s career with a song from his debut album. He overdid the arrangement on that studio take, but the version unearthed on the 2006 release Preludes: Rare And Unreleased Recordings, is gorgeous. Here he is, for one of the first times, singing about the frustration and futility of longing hearts ...
“Frank and Jesse James” – 4:33. “Mama Couldn’t Be Persuaded” – 2:53. “Backs Turned Looking Down the Path” – 2:27. “Hasten Down the Wind” – 2:58. “Poor Poor Pitiful Me” – 3:04. “The French Inhaler” – 3:44. “Mohammed’s Radio” – 3:40. “I’ll Sleep When I’m Dead” – 2:56. “Carmelita” – 3:32. “Join Me in L.A.” – 3:13. Warren Zevon. Released: 1976.
- Brian Kachejian
Excitable Boy is the third studio album by American musician Warren Zevon. The album was released on January 18, 1978, by Asylum Records. It includes the single "Werewolves of London", which reached No. 21 and remained in the American Top 40 for six weeks.
Sep 7, 2022 · By Dave Everley. ( Classic Rock ) published 7 September 2022. Warren Zevon could have carved out a career as a mainstream piano man were it not for his caustic wit, chemical-induced instability and general contempt for the world. These are his best albums.
