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Jun 15, 2021 · Intrada announces the premiere release of Jerry Goldsmith's unused score to The Public Eye. For many years it wasn't certain whether the score had been recorded, but after confirmation from recording engineer Mike Ross-Trevor, the recording was tracked down and is presented here for the first time.
Jun 14, 2021 · Intrada Records has announced the world premiere release of the unused original score by Jerry Goldsmith (Star Trek: The Motion Picture, The Omen, Planet of the Apes, Patton, Air Force One, The Mummy) from the 1992 crime thriller The Public Eye directed by Howard Franklin and starring Joe Pesci, Barbara Hershey, Stanley Tucci and Jerry Adler ...
After producers deleted entire effort by Jarre, Goldsmith enters project with his own dynamic score. His thematic approach relies on traditional melody, given emotional resonance courtesy soaring solo trumpet quotes over expressive string harmonies.
Jerry Goldsmith. Jerrald King Goldsmith (February 10, 1929 – July 21, 2004) was an American composer, with a career in film and television scoring that spanned nearly 50 years and over 200 productions, between 1954 and 2003. He was considered one of film music history's most innovative and influential composers. [1]
I'd written: "QBVII -- One of my absolute favorite Goldsmith scores and the existing LP program is woefully incomplete (I think it may actually be a re-recording anyway). According to the folks at Intrada the original tapes for this are lost so unless they miraculously turn up we just have to hound James Fitzpatrick to re-record the whole thing.
Jan 20, 2015 · New Intrada release not only premieres entire Jarre score but also doubles the amount of Goldsmith music with a half hour of previously unreleased score plus another 16-minutes of unused alternates. Jarre score recorded by Shawn Murphy at Sony Pictures Scoring, Goldsmith score recorded by Bruce Botnick at Todd-AO Scoring Stage.
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During post-production, Goldsmith's moody orchestral score was sadly dropped in favor of less-suspenseful, rock-oriented work by Anthony Marinelli. Goldsmith's unused score presented here direct from original two-track digital session mixes made by Bruce Botnick, courtesy of Paramount Pictures.
