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The character of Ariel in Shakespeare’s play The Tempest uses several examples of onomatopoeia in one short passage. The dogs “bark” and say “bow-wow” while the chanticleer cries “cock-a-diddle-dow.” Shakespeare is thus using the onomatopoeias of animal noises here.
Onomatopoeia. Onomatopoeia (on-o-mat-o-pee'-a) is the use of words to imitate natural sounds. “Bow-wow. / Hark, hark! I hear / The strain of strutting chanticleer / Cry cock-a-diddle-dow.”. The Tempest, 1.2.452. Onomatopoeia is an example of: Substitution.
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Literary Devices Examples. For “The Tempest” by William Shakespeare, let’s examine examples of the top 10 literary devices used in the play, demonstrating how they contribute to the narrative’s depth and richness. Symbolism. The Tempest: Symbolizes the turmoil within the characters, as well as the transformative power of nature and art.
Example #6: The Tempest, Act 3, Scene 2 (By William Shakespeare) “Sometimes a thousand twanging instruments Will hum about mine ears, and sometime voices.” Example #7: Henry V, Act 3, Scene 1 (By William Shakespeare) “But when the blast of war blows in our ears…” Onomatopoeia in movies
Figurative Language Example: Onomatopoeia. In Act 3, Scene 3 of Shakespeare's The Tempest, Caliban uses onomatopoeia to convey the noises of the island. Be not afeard. The isle is full of noises, Sounds, and sweet airs that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears, and sometime voices...
Example #2: The Tempest By William Shakespeare “Hark, hark! Bow-wow. The watch-dogs bark! Bow-wow. Hark, hark! I hear The strain of strutting chanticleer Cry, ‘cock-a-diddle-dow!'” Example #3: For Whom the Bell Tolls By Ernest Hemingway
Onomatopoeia in Shakespeare’s The Tempest In Act 3, Scene 3 of The Tempest , Caliban uses onomatopoeia to convey the noises of the island. Note that “twangling” is a real word (it’s a less common form of the verb “twang”), so both examples in the lines below are conventional onomatopoeia .
