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    • Berkovian theatre

      • As a theatre maker he is recognised for staging work with a heightened performance style eponymously known as "Berkovian theatre", which combines elements of physical theatre, total theatre and expressionism.
      en.wikipedia.org › wiki › Steven_Berkoff
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  2. As a theatre maker he is recognised for staging work with a heightened performance style eponymously known as "Berkovian theatre", which combines elements of physical theatre, total theatre and expressionism.

  3. Apr 29, 2013 · Steven Berkoff is one of the most influential figures in the world of theatre and film, both as an actor and as a pioneering writer and director, spearheading the conception of ‘total theatre’- a method and style that, whilst avant-garde and shocking twenty years ago, is now widely mimicked in both professional and amateur theatre.

  4. Feb 10, 2013 · His physical, exaggerated style of theatre is both popular and controversial, defying the norms of naturalistic theatre. In his productions East and West, Berkoff used the Shakespearean style of language to create an complexity but pairing it with “ low ” cockney slang and swearing.

  5. Jan 31, 2022 · What are Steven Berkoff's techniques? Berkoff frequently uses physical theater techniques such as mime, exaggerated movement, and improvisation. He uses stylized movement from performers, including slow motion and robotic gestures, dramatic facial expressions, and vocal work.

  6. www.stevenberkoff.com › steven-berkoff-biographyBIOGRAPHY | Steven Berkoff

    Steven Berkoff was born in Stepney, London. After studying drama and mime in London and Paris, he entered a series of repertory companies and in 1968 formed the London Theatre Group. His plays and adaptations have been performed in many countries and in many languages.

  7. Pages. What is a theatre practitioner? Steven Berkoff. Graeae Theatre Company. Kneehigh. Katie Mitchell. Steven Berkoff. Date: 1937-present. Broad approach: Expressionism. and. physical...

  8. The theatre-going public knows him as a dynamic stage presence. He has often featured in his own adaptations, famously, during the 1970s, of Kafka’s The Trial and Metamorphosis (1981), Poe’s The Fall of the House of Usher (1977), and more recently the tour-de-force one-man show Shakespeare’s Villains.

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