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  1. May 4, 2024 · It’s the last breath they get to take before the most dashing on-screen pirate since Errol Flynn strapped on a pair of tights makes his entrance: Han Solo. Despite his bravado, his importance to ...

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    • 9 Star Wars: The Last Jedi
    • 8 Star Wars: Episode II - Attack of The Clones
    • 7 Star Wars: The Force Awakens
    • 6 Return of The Jedi
    • 5 Star Wars: Episode I - The Phantom Menace
    • 4 Star Wars: The Rise of Skywalker
    • 3 Star Wars: Episode III - Revenge of The Sith
    • 2 The Empire Strikes Back
    • 1 Star Wars

    Star Wars: The Last Jedi's score admittedly does a better job than its predecessor at complementing the entire movie, but its music is also the least memorable. There are plenty of standout moments, from Rey and Kylo fighting the Praetorian Guards to the final battle on Crait. However, the score's most memorable tracks are often ones that already a...

    Star Wars: Episode II - Attack of the Clones features some of Williams' most beautiful compositions in the entire franchise, namely "Across the Stars" which plays throughout Anakin Skywalker and Padmé Amidala's love story. The speeder chase on Coruscant, Obi-Wan Kenobi's arrival on Kamino, Ob-Wan vs. Jango Fett, and the arena battle are some of the...

    The greatest strength of Williams' score for Star Wars: The Force Awakens is the number of memorable new themes for its different characters and factions. "Rey's Theme" is especially prevalent throughout the film, and "March of the Resistance" gives the heroes their own version of "The Imperial March." The score's biggest drawback is the long gaps ...

    Return of the Jedi's best John Williams tracks are among the greatest Star Wars musical themes, but the score can also be a mixed bag depending on the version of the film being watched. The special edition created an awful new number called "Jedi Rocks" for Jabba's Palace, and the memorable "Yub Nub" was replaced by new music. Despite these changes...

    Williams took his music to another level when he returned to score Star Wars: Episode I - The Phantom Menace. "Duel of the Fates" is not only one of the best pieces in the Star Wars franchise, but it's also one of the greatest compositions in the history of film. While most of the movie's other tracks aren't nearly as epic, The Phantom Menace's sco...

    The film itself may have had a mixed reception, but Star Wars: The Rise of Skywalker's score is the best of the sequel trilogy. The soundtrack contains memorable new themes, complements the action from beginning to end, and includes iconic tracks from the other Star Wars movies. Recycling music is often a problem in Star Wars movies, but it feels m...

    Star Wars: Episode III - Revenge of the Sith's darker storyline and more action-packed approach meant that Williams was free to create a truly exceptional score. The big, fast-paced music starts right at the beginning of the film, and Williams perfectly captures the tone of each scene for the rest of the runtime. The second half of the movie contai...

    The Empire Strikes Back built on the first Star Wars movie in every possible way, and Williams' score was no exception. From "The Imperial March (Darth Vader's Theme)" to "Yoda and the Force," The Empire Strikes Back features themes that would define the franchise for decades to come. The film is the ultimate example of a story and its music being ...

    Williams' very first Star Wars score proved to be his best by succeeding in every way imaginable. Right from the first opening crawl, audiences immediately knew that Star Wars' music was going to be something special, and that hasn't changed in the last 45 years. The original Star Wars score is full of memorable tracks, enhances every single part o...

  2. John Williams Faces His Legacy: 54 Oscar Noms, ‘Star Wars’ Mistakes and Changing the Movies Forever. Harrison Ford can’t escape the two-and-a-half-minute fanfare that John Williams composed for his most famous cinematic hero, Indiana Jones. “As I often remind John, his music follows me everywhere I go — literally,” Ford says.

  3. Daisy Ridley. John Boyega. Matt Lanter. Felicity Jones. Alden Ehrenreich. Hamill, Ford, Fisher, Neeson, McGregor, Portman, Driver, Ridley, Boyega, Lanter, Jones, and Ehrenreich headline films in the franchise. Star Wars is a media franchise and shared fictional universe that is the setting of science fiction films produced by Lucasfilm, based ...

  4. Star Wars: The Rise of Skywalker Contradicted Its Own Setup. Williams' short cameo in The Rise of Skywalker comes when Zorii Bliss leads Rey, Finn, Poe Dameron, and C-3PO to Babu Frik on Kijimi. As the group walks through the latest seedy Star Wars establishment, it cuts to a close-up of the bartender, who is played by none other than Williams.

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  6. Jul 21, 2020 · The nine “Star Wars” scores make use of a vast library of leitmotifs—more than sixty of them, according to the scholar Frank Lehman. I showed Williams a copy of Lehman’s “Complete ...

  7. Johnny Williams (father) Signature. John Towner Williams (born February 8, 1932) [1] [2] [3] is an American composer and conductor. In a career that has spanned seven decades, he has composed some of the most popular, recognizable, and critically acclaimed film scores in cinema history.

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