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  1. Changing Lanes is a 2002 American drama thriller film directed by Roger Michell and starring Ben Affleck and Samuel L. Jackson. The film follows a successful, young Wall Street lawyer (Affleck) who accidentally crashes his car into a vehicle driven by a middle-aged, recovering alcoholic insurance salesman (Jackson).

  2. Apr 12, 2002 · Doyle Gipson ( Samuel L. Jackson) needs to show that he has loan approval to buy a house for his family; he hopes that will convince his fed-up wife to stay in New York and not move with the kids to Oregon. Banek and Gipson get into a fender bender. It's not really anybody's fault. Of course they are polite when it happens: "You hurt?" Nobody is.

  3. Nov 25, 2020 · About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright ...

    • 5 min
    • 8.4K
    • MovieClips and Mashups
  4. Apr 12, 2002 · The ending that was originally used involved Ben Affleck and Samuel L. Jackson getting into a fist fight that leads onto the balcony. They talk about right and wrong and Affleck takes the file and tears it up and the movie fades to credits. This ending was most likely cut because test audiences did not like it. It will most likely appear on the ...

    • (75K)
    • Drama, Thriller
    • Roger Michell
    • 2002-04-12
  5. www.pluggedin.com › movie-reviews › changinglanesChanging Lanes - Plugged In

    A self-proclaimed man of conviction and compassion, Doyle exhibits an astonishing disconnect between his values and his actions. Throughout the movie, suspension of disbelief is stretched beyond acceptable limits. Especially in the ending, which—while offering hope and resolution—hinges far too loosely on the events which just transpired.

    • Roger Michell
  6. Oct 14, 2002 · Gavin Banek (Affleck) is a hotshot Wall Street lawyer wrestling for control of a late client's charitable trust. In an expertly edited sequence, we follow both men on this crucial day as they race...

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  8. Apr 9, 2002 · By film’s end, Changing Lanes questions the effects of individual morality on a collective consciousness. And while the film spends little time with its secondary characters, director Roger Michell’s stream-of-consciousness brush ethereally paints New York as home for passive aggressors pandering to disaster without acknowledging the ...

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