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  1. The Piano Concerto No. 23 in A major K. 488 is a concerto for piano and orchestra written by Wolfgang Amadeus Mozart. It was finished, according to Mozart's own catalogue, on March 2, 1786, two months prior to the premiere of his opera, Le nozze di Figaro, and some three weeks prior to the completion of his next piano concerto. It was one of ...

    • Classical Period
  2. Jan 21, 2022 · Mozart’s Piano Concerto #23. The A-major concerto, one of Mozart’s most popular, is not only a powerfully emotional work—especially the second movement—but is also of historical interest. One of three concertos Mozart was to perform in Vienna during the Lenten season of 1786, the concerto KV 488 was completed in March and was among the ...

  3. May 23, 2011 · I was asked my teacher which Piano Concerto in entirety should I learn - one of the suggestions is Mozart's Piano Concerto 23 in A Major K488. Here are some of the resources I found. Origin of K488 Piano Concerto in A, Plus Accompanying Sketches by Dennis Pajot. This article analyses the original manuscripts and differences of sketches as well ...

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  5. Mar 3, 2021 · Full read along and analysis video of the second movement of #Mozart 's #Piano #Concerto No. 23. Hope this proves useful for teachers and students alike!

    • 13 min
    • 23.1K
    • David K Music
  6. Oct 19, 2020 · A detailed analysis of Mozart’s Piano Concerto No. 23 (movement I) for educational purposes.

    • 2 min
    • 12K
    • David K Music
  7. May 21, 2019 · Luscious, minor-key slow movements are not a total rarity in Mozart’s grand works; the multi-movement structure calls for contrast. There is something about No. 23 that provoked Mozart’s gothic passion. Right from the start, there is a simple, half-step sighing motive that immediately becomes a solemn sweeping gesture.

  8. The chamber music-like Concerto No. 23 in A is one of Mozart’s most lyrical and, in the central Adagio, poignant works. Mozart created the model of the piano concerto as we know it, writing a dozen highly varied pieces to perform for Vienna audiences of the 1780s.

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