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      • The music of India includes multiple varieties of classical music, folk music, filmi, and Indian pop. Indian classical music is divided into two main traditions: Carnatic and Hindustani. Folk music is an important part of India’s musical heritage and is characterized by its own unique rhythms, melodies, and lyrics.
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  2. Owing to India's vastness and diversity, Indian music encompasses numerous genres in multiple varieties and forms which include classical music, folk, rock, and pop. It has a history spanning several millennia and developed over several geo-locations spanning the sub-continent.

  3. Grama - Gramas are the basic notes employed in musical tradition. Initially there were three gramas - Shadaja, Madhyama and Gandhar. Hindustani - Hindustani Classical Music is the form of Indian classical music that developed in northern parts of India.

  4. Indian music as old as the Indian civilisation. Let's have a look at its various genres, history, evolution and exponents.

  5. en.wikipedia.org › wiki › Hindu_musicHindu music - Wikipedia

    Hindu music is music created for or influenced by Hinduism. It includes Indian classical music, Kirtan, Bhajan and other musical genres. Raagas are a common form of Hindu music in classical India. The most common Hindu bhajan in North India is "Om Jai Jagdish Hare."

  6. Almost every region in India has its own folk music, which reflects the way of life. From the peppy bhangra of Punjab to Garba of Gujarat to Bhavageete of Karnataka, the tradition of folk music in India is indeed great.

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  7. Apr 27, 2017 · An introduction to both North and South Indian classical music traditions concentrating on formal musical materials and geared toward students with a background in Western music. Includes extensive transcriptions in staff notation and a useful glossary.

  8. Hindustani music is an Indian classical music tradition that took shape in northern India during the thirteenth and fourteenth centuries from existing religious, folk, and theatrical performance practices.

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