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    • 1927

      • In 1927 he was appointed as chief musical director in Darmstadt.
      en.wikipedia.org › wiki › Karl_B%C3%B6hm
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  2. en.wikipedia.org › wiki › Karl_BöhmKarl Böhm - Wikipedia

    He secured a top post at the Vienna State Opera in 1943, eventually becoming music director. On the occasion of the 80th birthday of Richard Strauss, on 11 June 1944, he conducted the Vienna State Opera performance of Ariadne auf Naxos. After World War II

  3. Böhm first appeared at the Salzburg Festival in 1938, conducting Don Giovanni, and thereafter he became a permanent guest conductor. He secured a top post at the Vienna State Opera in 1943, eventually becoming music director.

  4. Apr 17, 2024 · His debut at the Graz Opera House in 1917 was followed three years later by his appointment there as its first conductor. In 1921 he joined the Munich Opera. Böhm became musical director at Darmstadt in 1927, at Hamburg in 1931, and at Dresden in 1934. He made his London debut at Covent Garden in 1936.

    • The Editors of Encyclopaedia Britannica
  5. May 23, 2018 · From 1931 to 1933 Böhm held the post of Generalmusikdirektor of the Hamburg Opera; from 1934 to 1943 he was music director of the Dresden State Opera, where he gave the first performances of Die Schweigsame Frau (June 24, 1935) and Daphne (Oct. 15, 1938), which Strauss dedicated to him.

  6. Böhm began to move steadily up the ladder through provincial opera houses and in 1927 he went on to become music director at the Staatstheater Darmstadt and then, in 1931, was appointed music director at Hamburgische Staatsoper serving until 1934 when he left for the prestigious post at Dresden.

  7. In 1970 he was named as general music director of Austria and in 1977 as president of the London Symphony Orchestra, with whom he had appeared at the Salzburg Festival.

  8. Karl Böhm's career as a conductor had an unconventional start. While still a law student at the University of Vienna, he showed more interest in music than in law, although he eventually completed his doctoral dissertation in law. Böhm spent hours attending rehearsals of "Der Rosenkavalier," which left a lasting impression on him.

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