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  1. Walker's use of the silhouette, which depicts everything on the same plane and in one color, introduces an element of formal ambiguity that lends itself to multiple interpretations. For example, is the leg under the peg-legged figure part of the child's body or the man's?

    • Janet Oh
    • Stockton, California
    • American
    • November 26, 1969
  2. Apr 3, 2024 · Silhouette art is a style of portraiture or image-making that relies on the use of outlines and solid shapes, often in a single color against a contrasting background. Kara Walker utilizes silhouette art in her work to explore themes of race, gender, and power in a visually striking and accessible manner. The stark contrasts and simplicity of ...

  3. Apr 1, 2024 · Drawing inspiration from the 19th-century art form popularized in the Victorian era, Walker reimagined the silhouette as a potent tool for exploring complex narratives of race, slavery, and the legacy of colonialism.

  4. Jan 15, 2019 · For Walker, the silhouette is more than a formal choice. Rather, she inherently links the practice and its various associations to representations of a specific historical period, as well as the narratives of race and sex reflective of antebellum stereotypes and prejudices.

  5. Apr 2, 2014 · At the Rhode Island School of Design, Kara Walker began working in the silhouette form. In 1994, her work appeared in a new-talent show at the Drawing Center in New York and she became an instant hit.

  6. Dec 6, 2023 · Commissioned by Creative Time, “A Subtlety, or the Marvelous Sugar Baby” is the first large-scale public project by Walker who is best known for her cut paper silhouette installations, drawings, and watercolors. “A Subtlety, or the Marvelous Sugar Baby” was on view until July 6, 2014. Thereafter, the factory is scheduled to be ...

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  8. en.wikipedia.org › wiki › Kara_WalkerKara Walker - Wikipedia

    Website. karawalkerstudio .com. Kara Elizabeth Walker (born November 26, 1969) is an American contemporary painter, silhouettist, printmaker, installation artist, filmmaker, and professor who explores race, gender, sexuality, violence, and identity in her work. She is best known for her room-size tableaux of black cut-paper silhouettes.

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