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Robert Rauschenberg: A Retrospective encompasses the full breadth of this artist's remarkable achievements. The exhibition unfolds chronologically, highlighting Rauschenberg's painting and sculpture while capturing his practice of working simultaneously in diverse mediums.
Retroactive I (1963) belongs to the series of silkscreen paintings that Rauschenberg made between 1962 and 1964. His subject matter and commercial means of reproduction for these works led critics to identify him with Pop art.
NEW YORK, April 26, 2017—Robert Rauschenberg: Among Friends, a retrospective spanning the six-decade career of this defining figure of contemporary art, will be on view at The Museum of Modern Art from May 21 through September 17, 2017.
Nine overviews to the full-color plate sections demonstrate how Rauschenberg's work falls into destinct artistic cycles. An exhaustive chronology, including scores of documentary photographs, examines the artist's life and career.
The Foundation supports research, institutions, and artists that embody the same collaborative, inclusive, and multidisciplinary approach that Rauschenberg exemplified in both his art and philanthropic endeavors.
May 12, 2008 · Rauschenberg was himself rapidly becoming an established figure within the art world. He earned an early retrospective in 1963 at the Jewish Museum in New York, which was very well received by critics and viewers alike.
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An early and notorious piece involved the erasure of a DeKooning drawing. In 1953, he began creating sculptures using organic materials and common items. By 1963, Rauschenberg had become so well-known that he had a retrospective exhibition at the Jewish Museum. By the 1970s, Rauschenberg had begun experimenting with performance art and film.
