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Wolfgang Amadeus Mozart (1756–1791) was a prolific composer and wrote in many genres. Perhaps his best-admired work is in opera, piano concerto, piano sonata, symphony, string quartet, and string quintet.
4 Spiegelkanons, K. Anh. 10.16. Canon for 12 Voices in G major, K. 348/382g. Canon for 2 Voices in C minor, K. 230/382b. Canon for 3 Voices in A major, K. 562. Canon for 3 Voices in B-flat major, K. 233/382d. Canon for 3 Voices in C minor, K. 229/382a. Canon for 3 Voices in F major, K. 507.
- Requiem. Mozart’s Requiem is possibly the greatest ever example of the power of music. After receiving a commission from an anonymous source, Mozart embarked on one of the most soul-searching musical journeys of his life.
- Horn Concerto No.4. A cheery horn melody, coupled with playful strings, is enough to put anyone in a good mood. Mozart wrote it in 1786 for his friend Joseph Leutgeb, a virtuoso horn player.
- The Marriage of Figaro. Mischievous scurrying strings, interrupted by grandiose wind and brass fanfares, Mozart manages to tell more or less the whole story of his opera in its overture’s first eight bars!
- Piano Concerto No.21, ‘Elvira Madigan’ Mozart’s Piano Concerto No.21 has received much of its popularity from its use in themes, and it’s also one of his greatest works.
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- ‘Overture’ from The Marriage Of Figaro, K492. The Marriage Of Figaro (Le Nozze Di Figaro), premiered in 1786, is an ideal place to begin an exploration of the best Mozart works and the opera’s ‘Overture’ sets its mood perfectly.
- Symphony No.41 in C, K551 – Jupiter. If he was keeping count Mozart cannot have expected his 41st Symphony to be his last – but so it turned out. He certainly wrote nothing more complex than this brilliant, ambitious work, the finale of which offers a display of contrapuntal skills second to none in the whole of music.
- Requiem Mass in D minor, K626. Our understanding of Mozart’s Requiem is inevitably coloured by the fact that it was his final work, and that he died before he could complete it.
- Quintet in A for Clarinet and Strings, K581. Mozart’s affinity for the clarinet is evident in many of his works, but particularly in the late pieces that were written for his friend Anton Stadler to play.
- Requiem – ‘Confutatis’ By its very definition, Mozart’s Requiem is an immensely powerful, moving work. Best known of all its movements are the ‘Requiem aeternam’, earth-shattering ‘Lacrimosa’, and fateful ‘Dies irae’.
- ‘Jupiter’ Symphony No.41 – fourth movement. If you want to hear the sound of pure, exuberant joy, the glorious finale to Mozart’s Symphony No.41 has you sorted for life.
- Piano Concerto No.20 – first movement. Mozart famously reserved the key of G minor for some of his darkest, most tragic works – but there’s a fair amount to be said for his works in D minor, too.
- Ave verum corpus. One of the most soul-healing few minutes of classical music, ‘Ave verum corpus’ was written by Mozart during his final year. Visiting his wife, Constanze, in Austria, the composer may have already known that his final days were drawing near.
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For an automatically generated alphabetical list of all available pieces, please see Category:Mozart, Wolfgang Amadeus . A list of works in the composer category that are not included here can be found on this page .
The Köchel catalogue (German: Köchel-Verzeichnis) is a chronological catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the ...
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