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Mar 27, 2018 · Date of Birth: October 31, 1957. Ethnicity: African-American, other. Brian Stokes Mitchell is an American stage, film and television actor, and singer. Brian is the son of Lillian and George Mitchell. Brian is married to actress Allyson Tucker, with whom he has a son. Brian has been described as being of African-American, Scottish, German, and ...
Apr 25, 2024 · Stokes, as he likes to be called, was the most impossibly charismatic, unreasonably handsome, insanely talented singing, dancing, piano-playing, larger-than-life leading man to end all leading men.
Jun 17, 2022 · Brian Stokes Mitchell: Songs and Stories plays Monday, June 20-Saturday, June 25, 2022, at 8:30 pm (doors open at 6 pm), at Feinstein’s/54 Below, 254 West 54 th Street, cellar, NYC. For tickets (priced at $300-475), call (646) 707-2990, or go online. Deb Miller (PhD, Art History) is the Senior Correspondent and Editor for New York City, where ...
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Mitchell is not just a leading man, he’s a leading man for his times. Upon his arrival on Broadway, he began a gradual but determined climb up the leading-man ladder, first in a musical called ...
- At A Glance…
- Returned to Theatre
- Earned A Tony Award Nomination
- Sources
Born in Seattle, WA, on October 31, 1957; son of George (an electronics engineer) and Lillian Stokes (a policewoman and school administrator) Mitchell; married Allyson Tucker (an actress), 1994. Career: Actor on stage, television and films; first acted at San Diego Junior Theater, c. early 1970s; first professional appearance in Godspell, Old Globe...
In 1987, Mitchell returned to theatrical work with a role in the musical Mail at the Pasadena Playhouse. Written by Michael Rupert, Mail centered around a young writer returning home from four months of self-imposed seclusion to find a mountain of accumulated mail. Mail had a brief run on Broadway in the spring of 1988. Edith Oliver of the New York...
Mitchell’s Ragtime character, Coalhouse Walker, Jr., is an easy-going musician who evolves into a violent revolutionary after his Model T Ford, which Walker equates with the good life in America, is vandalized by a gang of white racists.” This show has always been a comment on our country-on racism, sexism, the chasms that separate people. We’re st...
Periodicals
America, March 28, 1998, p. 21. Chicago Tribune, August 13, 1998, sect. 3, pp. 1, 4; August 23, 1998, sect. 7, p. 9. Jet, June 20, 1983, p. 57; August 16, 1993, p. 58. Los Angeles Times, June 12, 1997, Calendar sect., p.6; June 29, 1997, Calendar sect., pp. 5, 84. Nation, December 17, 1990, pp. 782-83. Newsweek, January 26, 1998, p. 64. New York, August 15, 1994, p. 46. New Yorker, April 25, 1988, pp. 102-03; November 12, 1990, pp. 104-05; February 2, 1998, pp. 79-80. New York Times, April 15...
Other
Additional information for this profile was obtained from the Brian Stokes Mitchell website (www.brianstokes.com). —Mary Kalfatovic
Apr 25, 2024 · But not so when it comes to Brian Stokes Mitchell, who has been one of my heroes ever since I saw him starring in the original production of Ragtime on Broadway in the late ’90s. Stokes, as he likes to be called, was the most impossibly charismatic, unreasonably handsome, insanely talented singing, dancing, piano-playing, larger-than-life ...
Brian Stokes Mitchell. Dubbed “the last leading man” by The New York Times, Tony Award-winner Brian Stokes Mitchell has enjoyed a career that spans Broadway, television, film, and concert appearances with the country’s finest conductors and orchestras. He received Tony, Drama Desk, and Outer Critics Circle awards for his star turn in Kiss ...
