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3 days ago · For the sake of this list, we’ve highlighted the top-reviewed films from the classic film noir era, roughly defined as starting in 1940 and ending in 1959. On this list you’ll find some...
The 25 Best Film Noir Movies of All Time. by malthe-tuxen • Created 6 years ago • Modified 4 months ago. My 25 personal favorite film noir movies of all time. Honorable Mentions: The Killing (1956) - Stanley Kubrick. Kiss Me Deadly (1955) - Robert Aldrich. Night and the City (1950) - Jules Dassin. Gun Crazy (1950) - Joseph H. Lewis.
Apr 6, 2024 · Immerse yourself in the shadowy world of crime and intrigue with our list of the best film noir movies. Explore the timeless classics that define this genre.
The Maltese Falcon. 8.0. 97. San Francisco private detective Sam Spade takes on a case that involves him with three eccentric criminals, a gorgeous liar and their quest for a priceless statuette, with the stakes rising after his partner is murdered.
- Double Indemnity (1944) Video essay on Double Indemnity. Double Indemnity is the poster child of film noir, almost inevitably so. Directed by Billy Wilder and with a script co-penned by Raymond Chandler, it epitomizes the genre from the foundation up.
- Sunset Boulevard (1950) The Take’s video essay on Sunset Boulevard. Though Sunset Boulevard is among director Billy Wilder's best films, purists don't always consider it film noir.
- The Third Man (1949) Insider Information on The Third Man. Film noir populated theaters at a significant time in history: the end of World War II. The best film noir movies tend to draw on that, but The Third Man has a noteworthy lens on that era since it was made in the UK rather than America.
- In a Lonely Place (1950) Video essay on In a Lonely Place. With all the film noir set in Los Angeles, there had to be one about the inner workings of Hollywood, right?
Sep 19, 2017 · Film noir is one of America’s most defining movie genres, ranging from the classic crime capers of the '40s and '50s to more modern takes on noir cine.
Apr 12, 2019 · Indeed, Barbara Stanwyck’s anklet in Billy Wilder’s Double Indemnity and Ann Savage’s icy stare in Edgar G. Ulmer’s Detour are as deadly as any bullet. Our list acknowledges the classics of the genre, the big-budget studio noirs and the cheapest of B noirs made on the fringes of the Hollywood studio system.
