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Kitty Foyle is an American old-time radio and television soap opera originally aired during the 1940s and 1950s that was based on the 1940 film of the same name starring Ginger Rogers. Kitty Foyle was created by soap opera mogul Irna Phillips of Guiding Light fame and produced by daytime radio monarchs Frank and Anne Hummert of Helen Trent ...
It isn't until she gives her instructions to the cab driver that we learn what her final decision is. Kitty Foyle is an enjoyable soap opera with a good script and the best performance of Roger's career, though I don't know whether or not it was Oscar® caliber (she beat out ).
- Sam Wood, Argyle Nelson
- Ginger Rogers
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Kitty Foyle is an American old-time radio and television soap opera originally aired during the 1940s and 1950s that was based on the 1940 film of the same name starring Ginger Rogers. Kitty Foyle was created by soap opera mogul Irna Phillips of Guiding Light fame and produced by daytime radio monarchs Frank and Anne Hummert of Helen Trent ...
Kitty Foyle is an American old-time radio and television soap opera originally aired during the 1940s and 1950s that was based on the successful 1940 film of the same name starring Ginger Rogers. Kitty Foyle was created by soap opera mogul Irna Phillips of Guiding Light fame and produced by daytime radio monarchs Frank and Anne Hummert of Helen ...
The story also was adapted into a TV soap opera starring Kathleen Murray as Kitty Foyle. See also [ edit ] Perfect Strangers , a film that reunited Rogers and Morgan as lovers
Deciding not to return to school, she ditched Flip (Conrad Fowkes) for Wyn Strafford (Billy Redfield), who naturally did his soap opera best by falling for Stacy Lee (Marie Worsham), a society hound. Then, when Nick Amsted revealed his interest in Kitty – surprise!
The soap opera elements of the story are so light-hearted that this can't be classified as the type of film that actors such as Irene Dunne, Margaret Sullavan and Ann Harding were playing. Rogers is excellent in this, her Academy Award Winning film, because she plays Kitty without tears, without apologies, and without manipulating either the ...
