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  2. Jul 28, 2021 · 8 Underappreciated Monotypes By Edgar Degas. Best known as a painter and sculptor, Degas was also an inventive printmaker. He experimented with a range of processes but it was monotype that captured his restless imagination. Jul 28, 2021 • By Daphne Bika, PhD Philosophy, Classics & Ancient History, MSc Museum Studies.

  3. May 27, 2016 · To create a monotype, an artist draws with ink or paint on a metal plate, which is then sandwiched with a damp sheet of paper and run through a printing press. The medium typically yields a single print, also called an impression, which reverses the composition rendered on the plate.

  4. www.moma.org › collection › termsMonotype | MoMA

    Monotype. A unique print, typically painterly in effect, made by applying paint or printing ink to a flat sheet of metal, glass, or plastic. The painted image is transferred to paper either by manually rubbing or using a press. Mediums are applied to the plate using two different methods.

  5. Jan 29, 2015 · Between 1914 and 1917, Matisse made a group of 69 monotypes, the only works he made in that medium during his career. A monotype is related to, yet distinct from, an editioned print—a work of art made by a transfer process that is printed in multiple examples from a matrix, such as a copper plate. Monotypes are printed through a transfer ...

  6. Pablo Picasso (1881-1973), Chagall, Miro', Dubuffet, Matisse and many other contemporaty artists produced hundreds of exceptional monotypes. The beauty of the monotype medium lies in its spontaneity and its combination of printmaking, painting, and drawing mediums.

  7. Monotype is a print medium whose simple concept, spontaneous process, and elegant result attract both artists and collectors. The earliest monotypes date from the 1640s, when Giovanni Benedetto Castiglione printed compositions he drew into ink spread on un-incised metal plates.

  8. en.wikipedia.org › wiki › MonotypingMonotyping - Wikipedia

    Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix , was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass .

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