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May 15, 2024 · So, who are the best techno DJs? Any list of techno artists has to include the likes of Sasha & Digweed, Daft Punk, Deadmau5, The Prodigy, Paul Oakenfold, Tiesto and Paul Van Dyk. These are some of the biggest names in techno music and are widely considered some of the best techno music on earth.
List of synth-pop artists. Synth-pop (also known as electropop or technopop) [1] [2] is a music genre that uses the synthesizer as the dominant musical instrument. With the genre becoming popular in the late 1970s and 1980s, the following article is a list of notable synth-pop acts, listed by the first letter in their name (not including ...
Synth-pop (short for synthesizer pop; also called techno-pop) is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument.
- 1977–80 in West Germany, Japan, and United Kingdom
- Techno-pop
- KRAFTWERK “Computer World” (1981) It’s inevitable that Kraftwerk should be high in this chart – the band is generally credited with inventing techno-pop on the “Autobahn” album in 1974.
- DEPECHE MODE “Speak & Spell” (1981) The boys from Basildon – a little town just outside London – spent very little time as a conventional pop band before going for an all-synthesizer sound.
- YAZ(OO) “Upstairs At Eric’s” (1982) On leaving Depeche Mode, Vince Clarke teamed up with blues singer Alison Moyet (the band was known as Yaz in the USA since another band was already using Yazoo) and again used an array of monophonic synthesizers such as the Sequential Pro One to create some catchy, straight-to-the-point chart singles.
- YELLOW MAGIC ORCHESTRA “Yellow Magic Orchestra” (1978) As a hotbed of music tech development, it’s not surprising that Japan spawned a top techno-pop band.
Techno Top 50 · Playlist · 50 songs · 113.5K likes.
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Techno is a genre of electronic dance music which is generally produced for use in a continuous DJ set, with tempos being in the range of 120 to 150 beats per minute (BPM). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat.
