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  1. en.wikipedia.org › wiki › Le_Roi_DavidLe Roi David - Wikipedia

    Le Roi David was composed in Mézières, Switzerland, in 1921 by Arthur Honegger, as incidental music for a play in French by René Morax. It was called a dramatic psalm, but has also been performed as oratorio, without staging. The plot, based on biblical narration, tells the story of King David, first a shepherd boy, his victories in battle ...

    • French
    • 12 May 1938: Basel
  2. Apr 1, 2013 · 310. 65K views 10 years ago. March 7, 2013, NEC's Concert Choir under the direction of Erica Washburn, and wind ensembles, under the direction of Charles Peltz, and Contemporary Improvisation...

    • Apr 1, 2013
    • 66.1K
    • New England Conservatory
  3. Honegger soon asserted his own strong personality in the “dramatic psalm” Le Roi David (1921; “The King David”). Two successful orchestral works followed: Pacific 231 (1924), an impression of a locomotive in action, and Rugby (1928), which reflected the composer’s love of speed and virile sports.

    • The Editors of Encyclopaedia Britannica
  4. Honegger, Arthur. ) (Redirected from Le Roi David, H.37 (Honegger, Arthur)) This work has been identified as being in the public domain in Canada and the United States, as well as countries where the copyright term is life+50 years. However, this work is not in the public domain in countries where the copyright term is life+70 years (including ...

  5. 0:00 / 1:09:47. Arthur Honegger - Le Roi David, psaume symphonique en 3 parties, d'après le drame de René Morax, pour récitant, soli, choeur mixte et orchestre. Composed in ...

    • Jan 23, 2013
    • 69K
    • Hinse Mutter
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  7. Arthur Honegger's Le Roi David is a symphonic psalm in three parts, based on the drama by René Morax, that depicts the life and death of the biblical king. Listen to the stunning performance by ...

    • Dec 28, 2019
    • 16.6K
    • Justin Geplaveid
  8. Apr 29, 2017 · Arthur Honeggers King David is the best oratorio you may never have heard. The young Honegger composed the score as incidental music to a play by René Morax, and quickly earned fame throughout Europe for his unique and captivating musical style blending French Impressionism, the German chorale tradition, and far-eastern influences.

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