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Carlo Osvaldo Goldoni (/ ɡ ɒ l ˈ d oʊ n i /, also US: / ɡ ɔː l ˈ-, ɡ oʊ l ˈ-/, Italian: [ˈkarlo oˈzvaldo ɡolˈdoːni]; 25 February 1707 – 6 February 1793) was an Italian playwright and librettist from the Republic of Venice. His works include some of Italy's most famous and best-loved plays.
Carlo Goldoni was a prolific dramatist who renovated the well-established Italian commedia dell’arte dramatic form by replacing its masked stock figures with more realistic characters, its loosely structured and often repetitive action with tightly constructed plots, and its predictable farce with.
1793 - Dies in poverty in Paris afflicted by blindness. Biography. It was reserved for Carlo Goldoni to effect the dramatic revolution so frequently attempted by men whose talents were unequal to the task. Goldoni, a native of Venice, was born in 1707, and almost lived out the century, for he died in Paris in 1793.
Jun 8, 2018 · The plays of the Italian dramatist, poet, and librettist Carlo Goldoni (1707-1793) brought new realism and more credible characterization to the Italian stage. He wrote more than 250 works in Italian, Venetian dialect, and French.
Official website of Carlo Goldoni’s House in Venice, located in San Polo district, between Murano and Giudecca.
Carlo Goldoni (1707 – 1793) was a prolific, influential playwright and librettist from the Republic of Venice. While known best for his 1745 classic The Servant Of Two Masters, Goldoni produced countless works for the stage—sometimes under pseudonyms—and lived to an impressive 85 years of age.
Carlo Goldoni, famous Venetian playwright who dedicated his life to theatre, author of the famous reform that changed the way comedies were staged.
Carlo Osvaldo Goldoni was an Italian playwright and librettist from the Republic of Venice. His works include some of Italy's most famous and best-loved plays. Audiences have admired the plays of Goldoni for their ingenious mix of wit and honesty.
Carlo Goldoni, considered one of Italy’s finest playwrights, was born on February 25, 1707 in Venice, Italy, to a theatre-loving family. By age four, Goldoni had started to read, write, and create little puppet performances for his family; and by age eight he had sketched his first comic drama.
Carlo Goldoni entered into direct contact with the theatre world, knowing impresarios, authors, actors and lovers, handmaids, masks, organisers. From 1734 to 1743 he was at the Grimanis’ service at the Theatre of San Samuele.
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