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  1. Heaven Can Wait: Directed by Ernst Lubitsch. With Gene Tierney, Don Ameche, Charles Coburn, Marjorie Main. An old roué arrives in Hades to review his life with Satan, who will rule on his eligibility to enter the Underworld.

  2. Heaven Can Wait is a 1943 Technicolor American supernatural comedy film produced and directed by Ernst Lubitsch. The screenplay was by Samson Raphaelson based on the play Birthday by Ladislaus Bus-Fekete. The music score was by Alfred Newman and the cinematography by Edward Cronjager.

  3. Heaven Can Wait (1943) cast and crew credits, including actors, actresses, directors, writers and more.

  4. Spoiled playboy Henry van Cleve (Don Ameche) dies and arrives at the entrance to Hell, a final destination he is sure he deserves after living a life of...

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    • Fantasy
  5. An old roué arrives in Hades to review his life with Satan, who will rule on his eligibility to enter the Underworld.

  6. Heaven Can Wait. Deceased playboy Henry Van Cleve (Don Ameche) presents himself to the outer offices of Hades, where he asks a bemused Satan for permission to enter through the gates of hell.

  7. An old roué arrives in Hades to review his life with Satan, who will rule on his eligibility to enter the Underworld. Henry Van Cleve presents himself at the gates of Hell only to find that he is closely vetted on his qualifications for entry.

  8. Overview. Spoiled playboy Henry van Cleve dies and arrives at the entrance to Hell, a final destination he is sure he deserves after living a life of profligacy. The devil, however, isn't so sure Henry meets Hell's standards.

  9. Jun 15, 2016 · Classic Lubitsch, disarmingly light in tone but in fact quite astute in its social and sexual satire. Ameche plays Henry Van Cleeve, a dandy who pitches up in Hell believing his past sex life in ...

  10. Jan 29, 2016 · Amidst light humour and existential philosophy, Heaven Can Wait is a commentary on marriage, an appreciation for love and dedication, and belongs firmly in Lubitsch’s canon alongside One Hour With You (1932). Both films contain men who are hopeless romantics, and undeniable cads.

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