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  1. Isabel Sandoval

    Isabel Sandoval

    Filipino film director and screenwriter

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  1. Isabel Sandoval is a Filipino filmmaker and actress who lives in the United States. She directed the films Señorita (2011), Aparisyon (2012) and Lingua Franca (2019). She also directed a short film called Shangri-La (2021) as part of the Miu Miu 's Women's Tales series of female-directed short films commissioned by the fashion brand.

  2. May 10, 2021 · Filipina filmmaker and actress Isabel Sandoval talks about her debut and second features, which are now streaming on Criterion Channel. She reveals her influences, themes, and challenges in making films as a trans woman of colour.

  3. Oct 8, 2020 · Isabel Sandoval’s Top 10. 10. Recognized by the Museum of Modern Art as a “rarity among the young generation of Filipino filmmakers for her muted, serene aesthetic,” Isabel Sandoval has premiered her films at major festivals like Venice, Locarno, London, and Busan. Cahiers du cinéma profiled her in April 2020 upon the French release of ...

  4. Mar 13, 2024 · EXCLUSIVE: US-based Filipino filmmaker Isabel Sandoval is returning to the Philippines to shoot her fourth feature, Moonglow, starring Arjo Atayde ( Trigger, BuyBust ). Sandoval, who is known...

    • Liz Shackleton
  5. Mar 26, 2021 · Isabel Sandoval is a director and actress who explores themes of gender identity and romance in her films, such as Lingua Franca and Shangri-La. She talks about her cinematic influences, her transition, and her upcoming project Tropical Gothic.

  6. Feb 16, 2021 · Isabel Sandoval is a trans woman of color who directed and starred in \"Lingua Franca\", a film about an undocumented Filipina trans woman in Brooklyn. She also made \"Shangri-La\" for Miu Miu Women's Tales and is developing \"Vespertine\" and \"Tropical Gothic\".

  7. Sep 10, 2020 · What is it like to move through life under the Trump administration as a trans woman and a woman of color who's in the U.S. illegally? That is the question filmmaker Isabel Sandoval explores in...

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