Search results
The film's narrative is circular and repeats several motifs, including a flower on a long driveway, a key falling, a door unlocked, a knife in a loaf of bread, a mysterious Grim Reaper –like cloaked figure with a mirror for a face, a phone off the hook and an ocean.
Dec 19, 2019 · Meshes of the Afternoon (1943) is a memorable, experimental, surreal short film directed and written by Maya Deren. Referred to as poetic psychodrama, the film was ahead of its time with its focus on depicting fragments of the unconscious mind, externalising disjointed mental processes, dreams, and potential drama through poetic cinematic re ...
'Meshes of the Afternoon' is the first and best-known film of experimental film-maker Maya Deren, whose surrealist tinged movies explore time, space, self, and society and have had a lasting influence on American cinema.
Meshes of the Afternoon is one of the most influential works in American experimental cinema. Made by Deren with her husband, cinematographer Alexander Hammid, it established the independent avant-garde movement in film in the United States, now known as the New American Cinema.
Every time a woman falls asleep, she sees a masked man leaving flowers. Deren is one of the great screen presences; with her billowing hair and lugubrious gaze, she incarnates the eternal bohemian...
- (6)
- Fantasy
However, even in her intimate dreams, an intangible dark presence blemishes her afternoon nap; she tries to catch it, but her efforts are in vain. And as the confined environment gradually becomes a maze-like purgatory, bizarre but perfect doppelgangers of her physical self materialise in the house.
Dec 2, 2022 · The amazing short Meshes of the Afternoon, in full, remastered and in 48fps. Very proud of this copy! The original short is silent, so there's no audio whats...
Meshes of the Afternoon. Had Californian sunlight ever looked as suggestive or sinister before the sharply etched dream world of Meshes of the Afternoon?
Jul 11, 2005 · Summary. A solitary flower on a long driveway, a key falling, a door unlocked, a knife in a loaf of bread, a phone off the hook--discordant images a woman sees as she comes home. As she naps, dream-like sequences repeat and merge with reality in an amalgam of traditional narrative and European-imported surrealism.
Meshes of the Afternoon, which Deren directed with Alexander Hammid—the film’s cinematographer and costar, and her second husband—fleshes out this struggle quite dramatically.
