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In general, film criticism can be divided into two categories: Academic criticism by film scholars, who study the composition of film theory and publish their findings and essays in books and journals, and general journalistic criticism that appears regularly in press newspapers, magazines and other popular mass-media outlets.
Critics delve into aspects like cinematography, directing, acting, screenplay, and editing to assess a film’s artistic value, technical execution, and emotional impact on an audience. They also consider how a film fits into wider cultural contexts or cinematic history. Critics employ various methods to express their viewpoints.
Rhetorical choices in film are made on the narrative level (of story/plot), the visual level, and the audio level. Camera range, camera angles, point of view, lighting, editing, sound--these are rhetorical devices (aka elements of film) that directors use to signify meaning, tone, and emotions.
In this course we'll explore different methods for studying specific films; we'll touch on a range of important academic frameworks, such as genre studies, feminist film theory, and documentary ethics.
Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value.
May 6, 2024 · Film Criticism: Film criticism is the scholarly and in depth analysis of film usually published in academic articles and books years later. The criticism can focus on a single film, a genre of films, a director's or actor's oeuvre and more. It is often framed through the lenses of film theory.
The material we consider will include mainstream Hollywood movies, foreign films, and so-called ‘art’ films, and we will address both scholarly and popular modes of criticism.
