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surrealist piece introduced the image of the soft melting pocket watch. It epitomizes Dalí's theory of "softness" and "hardness", which was central to his thinking at the time.
Melting clocks. Much has been made of these melting pocket watches, and rightfully so—they are unique to Salvador Dali’s work, and are the most memorable objects in this painting.
The Persistence of Memory (La persistencia de la memoria), also known as Soft Watches or Melting Clocks, is one of Dalí’s most famous pieces. The piece is small, measuring just 9.5 × 13 inches (24 × 33 cm). Several of Dalí’s favorite recurring images are present in this work.
Dec 12, 2023 · The Persistence of Memory (1931) is one of the most iconic and recognizable paintings of Surrealism. Frequently referenced in popular culture, the small canvas (24x33 cm) is sometimes known as “Melting Clocks”, “The Soft Watches” and “The Melting Watches”.
Aug 4, 2020 · The Persistence of Memory (1931) by Spanish artist and Surrealist icon Salvador Dalí is one of the rare works of art that can be conjured with the mention of two simple words: melting clocks.
With its uncanny, otherworldly feel, and its melting pocket watches and mollusk-like central figure strewn about a barren landscape, Salvador Dalí’s The Persistence of Memory seems wholly imaginary. In fact, it sprang not only from the artist’s imagination, but also from his memories of the coastline of his native Catalonia, Spain.
While Dalí completed The Persistence of Memory at just 28 years old, he continued to revisit the painting's popular melting clock motif for decades. This prevailing theme is apparent in several painted, printed, and sculpted pieces from later in the artist's career.
Jul 13, 2023 · The iconic 1931 work depicts a series of clock faces that appear to be melting in a seaside landscape hauntingly barren except for a leaf-less tree, a couple of simple architectural structures, and a distorted, globular form resembling the face of a sleeping human with incredibly long eyelashes.
Sep 10, 2019 · It was created using Dalí’s paranoiac-critical method, where Dalí would enter a state of self-induced hallucination in order to create “hand-painted dream photographs”. The piece shows three melting clocks, as well as a smaller orange pocket watch covered in ants.
Completed in 1931, Dalí's "melting clocks" quickly became a worldwide sensation and today are considered by some as the height of the Surrealist movement. Dalí specialized in producing art that features familiar objects, but he presented them in unfamiliar ways—embracing irrationality.
