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  2. by Sylvia Plath Better that every fiber crack and fury make head, blood drenching vivid couch, carpet, floor and the snake-figured almanac vouching you are a million green counties from here, than to sit mute, twitching so under prickling stars, with stare, with curse blackening the time goodbyes were said, trains let go, and I, great magnanimous fool, thus wrenched from my one kingdom.

  3. Jun 5, 2017 · A selection of Plath's finest and most famous poems, from 'Lady Lazarus' to 'Ariel', with brief introductions and analyses. Learn about the themes, influences, and contexts of Plath's poetry, from suicide to motherhood, from Nazis to nature.

  4. Sylvia Plath. 1932–1963. Bettmann / Getty Images. Sylvia Plath was one of the most dynamic and admired poets of the 20th century. By the time she took her life at the age of 30, Plath already had a following in the literary community. In the ensuing years her work attracted the attention of a multitude of readers, who saw in her singular ...

  5. Lady Lazarus. By Sylvia Plath. I have done it again. One year in every ten. I manage it——. A sort of walking miracle, my skin. Bright as a Nazi lampshade, My right foot. A paperweight,

  6. Edge. By Sylvia Plath. The woman is perfected. Her dead. Body wears the smile of accomplishment, The illusion of a Greek necessity. Flows in the scrolls of her toga, Her bare. Feet seem to be saying: We have come so far, it is over. Each dead child coiled, a white serpent, One at each little. Pitcher of milk, now empty. She has folded.

  7. Common themes in Sylvia Plath's poems include identity, gender roles, mental illness, death, and the search for self. Her poems often touch upon the complexities of being a woman, the pressures of societal expectations, and the inner turmoil she faced.

  8. Oct 27, 2016 · Many of her poems live on JSTOR. We’ve selected ten of our favorites; you can download the PDFs and read them for free here: “Incommunicado,” “Morning in the Hospital Solarium,” “Black Pine Tree in an Orange Light,” and “Rhyme,” in the American Poetry Review.

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