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Guy Debord. The Naked City, 1957. The Naked City was initially meant to be exhibited alongside four other psychogeographical maps of Paris in the Taptoe Gallery in Brussels in 1957. In evoking the first ‘metagraphs’ ( métagraphies) produced by Debord a few years earlier, this map is the result of appropriation, a seminal “propaganda ...
This chapter seeks to account for the marked ingress of The Naked City; a 1957 print by Guy Debord and Asger Jorn, into architecture culture.
- Transcript of A Dérive
- Connections to 21st Century
- Credits and References
Credit to Jesse Bell, Notes on My Dunce Cap. 1. Time/Place begun: 2. Person/Persons a Party to the Initial Plan: 3. Description of the Dérive’s Shape: 4. Misunderstandings Created/ Discovered: 5. Signed/Dated:
“In addition to inspiring artists, architects and urban planners, the Situationist International’s take-back of public space is credited as catalyzing the The Occupy movement. “We are not just inspired by what happened in the Arab Spring recently, we are students of the Situationist movement…One of the key guys was Guy Debord, who wrote The Society...
Jan 21, 2022 · This research paper will analyze “The Naked City,” a postwar artwork by Guy Debord, by various postwar concepts, and will draw conclusions about its significance. We will write a custom essay on your topic tailored to your instructions!
Apr 26, 2018 · Through a drawing of the city as a series of situations, ‘The Naked City’ was created as another way to view the city of Paris. Created by Guy Debord and Asger Jorn, it served as a way to ...
Commissioned for the fourth volume of Blackwell's Companions to the History of Modern Architecture (edited by David Leatherbarrow and Alexander Eisenschmidt), this chapter explains the impact on architecture culture of The Naked City, a 1957 print by situationists Guy Debord and Asger Jorn.
Sep 3, 2018 · In the spirit of situationist irreverence and creativity, Schultheis has détourned not only Debord–Jorn’s The Naked City, but also Debord’s own détournement, called “Life Continues to Be Free and Easy” (1959), in which he collages pieces of The Naked City with text, postage stamps, and hand-colored figures of soldiers.
