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  1. Oct 15, 2015 · 28K views 8 years ago. When a print shop owner is murdered the authorities rule it a suicide. But a journalist has other ideas and when he shares them with the district attorney, he gets knocked...

    • Oct 15, 2015
    • 29.2K
    • Manic Movies
  2. en.wikipedia.org › wiki › Film_noirFilm noir - Wikipedia

    Nicholas Christopher, Somewhere in the Night (1997) While many critics refer to film noir as a genre itself, others argue that it can be no such thing. Foster Hirsch defines a genre as determined by "conventions of narrative structure, characterization, theme, and visual design." Hirsch, as one who has taken the position that film noir is a genre, argues that these elements are present "in ...

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  4. Jan 29, 2020 · Jennifer is a 1953 film noir directed by Joel Newton and starring Ida Lupino, Howard Duff, and Robert Nichols. Time Out magazine (London) wrote of the film, "This is gothic romance crossed with early '50s noir, worth a look for the sake of the great Wong Howe.

    • 73 min
  5. Feb 3, 2020 · M is a 1951 American film noir directed by Joseph Losey. It is a remake of Fritz Lang's 1931 German film of the same name about a child murderer. This version shifts the action from Berlin to Los Angeles. Wikipedia: https://en.wikipedia.org/wiki/M_ (1951_film) Suggested Film Noirs: http://bit.ly/2tLevkl.

    • 88 min
  6. Running time. 73 minutes. Country. United States. Language. English. Roadblock is a 1951 American film noir starring Charles McGraw and Joan Dixon. The 73-minute crime thriller was shot on location in Los Angeles. The film was directed by Harold Daniels and the cinematography is by Nicholas Musuraca .

  7. 128 minutes (USA) Country. France. Language. French. Milice, film noir (English: Militia, black film) is a French documentary film from 1997. It was directed and written by Alain Ferrari, [1] starring Emile Augonnet, Francoise Basch, and Michel Bouquet .

  8. Abstract. During the period when American film noir was at its zenith, Hollywood’s self-appointed censorship agency, the Production Code Administration (PCA), exercised control over the movie studios. The PCA’s standard report form of the 1940s was manifestly puritanical and ideological. ‘Censorship and politics in Hollywood noir ...

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