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  1. Sep 8, 2023 · William Burroughs' 1961 novel from which Daevid Allen, Kevin Ayers, Robert Wyatt and Mike Ratledge took their collective name in 1966, was famed for its ‘cut-up technique’ whereby sentences and paragraphs were shredded and then reassembled to produce startling juxtapositions and unsettling literary images. Were you to construct a mixtape ...

  2. Aug 29, 2022 · The concluding Part Five delivers a tour de force darting synthesizer solo by Mike Ratledge, over a fast-paced shuffle rhythm, where Roy Babbington’s bass and John Marshall’s drums play some fantastic parts, full of tricky percussive accents.

  3. Aug 10, 2023 · Mike Ratledge’s soloing on Lullabye Letter is a highpoint, and is closer to the swirling pointillism of free jazz pianist Cecil Taylor than the blues-based idiom usually preferred by his keyboard-playing contemporaries. “He was groundbreaking,” says Bill MacCormick.

  4. Jul 9, 2020 · Mike Ratledge reminisces about Soft Machine. Obviously, and unfortunately, NOT a recent interview, and NOT by me... But I thought it would be fun to make a little film out of Mike's...

    • 5 min
    • 26.6K
    • Aymeric Leroy
  5. Jul 14, 2023 · Ealing Comedy features a satisfyingly meaty solo by Roy Babbington on six-string bass guitar. Mike Ratledges 37½, from Six (CBS, 1973) is delivered at a frighteningly fast pace, at least double the speed of its original studio version.

    • Roger Farbey
  6. Aug 23, 2010 · Softs represents the real end of an era, however, relegating the group's solo remaining founder, keyboardist Mike Ratledge, to guest status, providing synth colors only on the up-tempo, vamp-driven "Ban-Ban Caliban," a tune more defined by John Etheridge 's high velocity guitar solo and saxophonist Alan Wakeman's similarly impressive soprano ...

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  8. en.wikipedia.org › wiki › Soft_MachineSoft Machine - Wikipedia

    Soft Machine are a British rock band from Canterbury formed in mid-1966 by Mike Ratledge, Robert Wyatt, Kevin Ayers, Daevid Allen and Larry Nowlin. As a central band of the Canterbury scene, the group became one of the first British psychedelic acts and later moved into progressive and jazz rock, becoming a purely instrumental band in 1971. [2] .

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