Yahoo Web Search

Search results

  1. String Quartet No. 1 in G major, "Lodi", K. 80/73f (1770) Milanese Quartets, K. 155–160 (1772–1773) This cycle, in three movements, is interesting as far as these works can be considered precursors of the later—more complete—string quartets. String Quartet No. 2 in D major, K. 155/134a (1772) String Quartet No. 3 in G major, K. 156/134b ...

  2. Subdominant. C minor. Component pitches. G, A, B ♭, C, D, E ♭, F. G minor has been considered the key through which Wolfgang Amadeus Mozart best expressed sadness and tragedy, [1] and many of his minor key works are in G minor.

  3. Stabat Mater in G minor (Schubert) String Quartet No. 1 (Grieg) String Quartet No. 1 (Nielsen) String Quartet No. 2 (Hill) String Quartet No. 6 (Spohr) String Quartet No. 9 (Schubert) String Quintet No. 4 (Mozart) Suite in G minor, BWV 995; List of symphonies in G minor; Symphony for Organ No. 6; Symphony in G minor (Lalo) Symphony in G minor ...

  4. en.wikipedia.org › wiki › G_minorG minor - Wikipedia

    Mozart's use of G minor Main article: Mozart and G minor G minor has been considered the key through which Wolfgang Amadeus Mozart best expressed sadness and tragedy, [1] and many of his minor key works are in G minor, such as Piano Quartet No. 1 and String Quintet No. 4 .

  5. Mozart 's Piano Quartet No. 1 in G minor, K. 478, is scored for violin, viola, cello, and pianoforte. It was composed in 1785. Composition and reception. Mozart received a commission for three quartets in 1785 from the publisher Franz Anton Hoffmeister.

  6. Nov 15, 2019 · In an era long before recordings, that meant music that amateurs could play in their homes. Mozart was not above dashing off this kind of light music. Eine Kleine Nachtmusik may be the most famous example. Yet, what emerged as Mozarts Piano Quartet No. 1 in G minor shattered these expectations.

  7. People also ask

  8. Country Dances for Johann Rudolf Graf Czernin in G major, K. deest (1777) Andantino in E-flat major, K. 236/588b (1783; Based on the aria "Non vi turbate, no" from Act II of Alceste, Wq.44, by Gluck) Fantasy No. 1 with Fugue in C major, K. 394 (Vienna, 1782) Fantasy No. 2 in C minor, K. 396 (Vienna, 1782) Fantasy No. 3 in D minor, K. 397 ...

  1. People also search for