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      • Sam Alexander (King of Navarre), Peter Basham (Butler), William Belchambers (Longaville), Edward Bennett (Berowne), Nick Haverson (Costard), Emma Manton (Jaquenetta), John Hodgkinson (Don Armado), William Shakespeare (Writer), Christopher Luscombe (Director)
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  2. Love's Labour's Lost (Globe Theatre Version): With Jade Anouka, Philip Cumbus, Seroca Davis, Jack Farthing. Four young men swear off love in order to focus on their studies, only to have their plans go awry when four lovely ladies enter their lives.

    • (72)
    • 2010-09-28
    • Comedy
    • 167
  3. Love's Labour's Lost (Globe Theatre Version) (Video 2010) cast and crew credits, including actors, actresses, directors, writers and more.

  4. The play draws on themes of masculine love and desire, reckoning and rationalisation, and reality versus fantasy. Though first published in quarto in 1598, the play's title page suggests a revision of an earlier version of the play. There are no obvious sources for the play's plot. The use of apostrophes in the play's title varies in early ...

  5. Cast. Ferdinand, King of Navarre: Philip Cumbus. Moth: Seroca Davis. Dumaine: Jack Farthing. Holofernes: Christopher Godwin. Berowne: Trystan Gravelle. Mercade: James Lailey. Costard : Fergal McElherron. Jacquenetta: Rhiannon Oliver. Rosaline: Thomasin Rand. Don Armado: Paul Ready. Katherine: Sian Robins-Grace. Boyet: Tom Stuart.

  6. Learn more about the full cast of Love's Labour's Lost from Shakespeare's Globe with news, photos, videos and more at TV Guide

  7. May 23, 2012 · by Charlie Swinbourne Wednesday, 23 May 2012. Deafinitely Theatre's young cast 'absorb, visually, every bit of the humour and silliness that the Bard intended' Simon Annand. "37 Plays. 37 Languages." This is the tagline for the Globe Theatre's Globe to Globe season, hosting theatre companies from every corner of the world.

  8. This production from Shakespeare Globe is proof that 'Love's Labour's Lost' should be better known and deserves to be. It is not always easy making such a wordy and sprawling play accessible, entertaining and emotionally impactful. But all three are accomplished absolutely brilliantly here and the production just flies by with very few bumps.

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