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      • Located on the traditional site of Saint Peter’s martyrdom, the Tempietto (literally “little temple”) was a martyrium. Bramante thus combined the traditional circular plan of martyria with round temples he had seen at Tivoli, near Rome, and in Rome itself.
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  2. Nov 12, 2020 · Working for Pope Alexander VI (r. 1492-1503 CE), Bramante was likely the designer of several monumental fountains, notably in Piazza Santa Maria and Saint Peter's square. In 1502 CE Bramante was commissioned to design and build the circular Tempietto of San Pietro in Montorio, again in Rome.

    • Mark Cartwright
  3. Bramante and the Tempietto Bramante designed the Petrine memorial on a centralized plan, surrounded it with a colonnade, and crowned the structure with an exposed dome raised upon a drum. In doing this, he brought together two types of sacred architecture: the peripteral tholos temple of Roman antiquity—a round temple ringed with columns ...

  4. Jun 8, 2018 · Bramante's design was derived from the Tempietto, and he was designing a martyrium, with reference to Constantine's other foundations (the Church of the Holy Sepulchre and the Church of the Nativity), and to the mathematical perfection of a centralized plan that symbolized the Perfection of God.

  5. For some thinkers in antiquity and the Renaissance the universe itself was constructed in the form of concentric circles with the sun, moon and stars moving in circular orbits around the earth. Bramante's original design was for a central plan, however—as built—the church combines elements of a central plan with the longer nave of a basilica.

  6. The so-called Tempietto ( lit. 'small temple ') is a small commemorative tomb ( martyrium) designed by Donato Bramante, possibly built as early as 1502 in the courtyard of San Pietro in Montorio, in Rome, Italy. Commissioned by Ferdinand and Isabella of Spain, the Tempietto is considered a masterpiece of High Renaissance Italian architecture.

  7. Bramante thus combined the traditional circular plan of martyria with round temples he had seen at Tivoli, near Rome, and in Rome itself. He further conformed to the theoretical positions that temples to such gods as Mars and Hercules should be round. This was also consistent with the fiery, heroic character of Saint Peter.

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