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      • Many illustrious names frequented the Gonzaga court, including Ariosto, Tasso, Correggio and Titian. Ludovico II welcomed new Renaissance art to the Gothic city, hosting Brunelleschi, Mantegna and other renowned artists, and the architect Giulio Romano organised a major urban redesign.
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  2. The patron, Ludovico Gonzaga, estimated that at least 2 million bricks were needed. The bricks were baked in onsite kilns, making the church far less expensive and faster to erect than a building made with stone, which had to be quarried, transported, and finished.

  3. Ludovico II welcomed new Renaissance art to the Gothic city, hosting Brunelleschi, Mantegna and other renowned artists, and the architect Giulio Romano organised a major urban redesign. After being besieged and conquered by Napoleon, Mantua returned to Austrian rule in 1814: the people of Mantua responded to the rulers' oppression with liberal ...

  4. This letter, sent by Alberti to Ludovico Gonzaga on 27 February 1460, testifies to the start of a relationship that had in fact been inspired by the architect's participation in the 1459 Diet of...

  5. May 6, 2020 · Ludovico reassured the Duke that Mantegna’s portraits lacked grace – which certainly seems true of his depiction of Barbara. Whatever Ludovico really though of Mantegna’s frescoes, it’s clear that this room was a vital asset to the ruler of Mantua.

  6. Mar 20, 2021 · Their generous, strategically employed patronage attracted leading artists from the main centres of Renaissance Italy. In 1459, Ludovico Gonzaga induced Andrea Mantegna to come to Mantua, where he was to produce many of his most important works and where he remained until his death in 1506.

  7. Mar 7, 2018 · The pope’s visit provided Ludovico with further impetus to transform Mantua into one of the most impressive of the smaller Italian city-states. Hearing that the pope had made some complaints about the state of the city streets, he began by paving the muddy central piazza but he didn’t stop there.

  8. Jan 1, 2024 · Originating in France in the 1670s, this women’s garment consisted of lengths of t-shaped fabric that were pleated to create an unstiffened bodice with attached overskirts. This gown was worn over...

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