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what the purpose of poetry is and how the identity of the poet should be understood. The Romantic poets believed that the inner world of humans provided endless possibilities for new ideas and ways of thinking and living, which is exemplified in much of the poetry of the era.
The Romantic movement, which originated in Germany but quickly spread to England, France, and beyond, reached America around the year 1820, some twenty years after William Wordsworth and Samuel Taylor Coleridge had revolutionized English poetry by publishing Lyrical Ballads.
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Poetry comes from a deep source outside the poet, a source which is everywhere but which is not available to all people equally. The poet—a person of special genius—is, like a psychic medium, acutely aware of what the rest of us only dimly see about the true (in Romantic vocabulary the “sublime”) nature of things.
SEL 31 (1991) ISSN 0039-3657. How the Romantics Recited Poetry. DAVID PERKINS. Criticism of poetry in the last seventy years has devoted itself largely to explaining and defending Modernist and Postmodernist verse. It taught us, in reading poetry, to bring to bear categories of attention appropriate to modern poetry, and we activate these same ...
- When Was The Movement at Its Peak?
- Who Were The Big Names in Romanticism?
- What Were Some of The Major Works?
- What Were The Romantics’ Main Influences?
- Did The Romantics Refer to Themselves as such?
- How Did The Romantics Live?
- What Was The Reaction to The Romantics?
- What Is The Legacy of The Romantics?
The 1780s is generally held to be when the Romantics really started to appear, particularly after 1789. “That year, when the Bastille fell [marking the start of the French Revolution], when everything changed in Europe, was a key moment in the timeline,” states Professor Hay. “In Britain, the heyday of Romanticism was the 1790s and the first two de...
There were many Romantic artists, writers and thinkers, there were “the big six”, as Professor Hay puts it, across two broad groups in Britain. They were the William Wordsworth, Samuel Taylor Coleridge and William Blake. With around a 10- to 15-year gap, the next generation was headed by Percy Bysshe Shelley, John Keats and Lord Byron. “But the mod...
Professor Hay puts forward a selection of poems from the “big six”, including Lyrical Ballads, a volume produced jointly in 1798 by Wordsworth and Coleridge that was significant both for the quality of its prose and also as an “advertisement” of a new way of thinking about poetry and about its role in articulating political and social concerns. Bla...
“You cannot make a tidy distinction between Romantic art and what came before,” says Professor Hay. “This is a group who were really influenced by 18th-century literature: you can see Byron engaging with Alexander Pope [1688-1744]; you can see the influence of William Cowper [1731-1800], a really important figure in that turn towards the self, and ...
The short answer is no. They certainly thought they were part of something new and of a movement that was changing artistic and intellectual perspectives, but they did not necessarily apply the term ‘Romantic’ to themselves. “The first person to use it was the German philosopher Friedrich Schlegel, in 1798,” according to Professor Hay. “It begins t...
To several key figures, living outside the traditional structures of society was a vital part of the Romantic movement. For the Shelleys, that meant living together while unmarried. In the 1790s, Wordsworth and Coleridge, in response to the disappointment of the political repression seen in Britain, moved to the Quantocks and then the Lake District...
“They definitely weren’t really respected, there was a lot of ostracisation.” Keats’ poetry was slammed by most of the newspapers; Byron was driven out of England in 1816 due to rumours about his relationship with his half-sister Augusta, and also with boys; and Wordsworth and Coleridge were followed to the countryside by a spy looking for evidence...
Although many of the Romantics only achieved literary success and acclaim posthumously, it must be remembered that many of them died young. Keats succumbed to tuberculosis at 25, Shelley drowned at 29, and Byron contracted a fever at the age of 36. Mary Shelley, while writing her novel The Last Man, spoke of being the last of her generation in her ...
But the word as used at the time is hardly a key to the intricacies of the age: it lacks the implicit ‘structure of dogma’ that William Empson identifies as the heart of a ‘complex word’. Type. Chapter. Information. The Cambridge History of English Poetry , pp. 418 - 439.
Nov 12, 2023 · William Wordsworth (1770-1850), the greatest of all Romantic poets, was the founding figure of Romanticism poetry. He defined poetry as ‘the spontaneous overflow of powerful feeling’. Wordsworth refused to observe any poetic conventions and rules and devised his own way in the poetic realm.
