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      • Vincent Gallo's "Buffalo '66" plays like a collision between a lot of half-baked visual ideas and a deep and urgent need. That makes it interesting. Most movies don't bake their visual ideas at all, nor do we sense that their makers have had to choose between filming them, or imploding.
      www.rogerebert.com › reviews › buffalo-66-1998
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  2. Aug 7, 1998 · The movie plays like revenge time. But that's not all. Gallo, an angular and unshaven man with a haunted look, has acted for offbeat and experimental directors such as Abel Ferrara ("The Funeral"), Bille August ("House of the Spirits"), Mika Kaurismaki ("L.A.

  3. Buffalo66 is one of those great films that I don’t think gets mentioned too often. Say what you want about Gallo (he’s a douche), but the fact he directed it, starred in it, and did music for it and that it would be that good is unbelievable.

  4. Self-indulgent yet intriguing, Buffalo '66 marks an auspicious feature debut for writer-director-star Vincent Gallo while showcasing a terrific performance from Christina Ricci. Read Critics...

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  5. The intimate, idiosyncratic and very funny Buffalo '66 --directed by and starring Vincent Gallo, from a semi-autobiographical script co-authored with Alison Bagnall --feels like a projection of...

  6. Buffalo 66 is an incredibly moving and beautiful film. It provides some of the starkest movie images of blue-collar society to come along since the '70s. The on-location Buffalo, New York sites are haunting in their bleakness, and the filtered photography emphasizes this all the more.

  7. Jul 24, 2023 · Buffalo 66″ is a critically acclaimed film directed by Vincent Gallo. The movie follows the story of Billy Brown, a recently released convict who kidnaps a young tap dancer named Layla and forces her to pretend to be his wife during a visit to his parents.

  8. www.metacritic.com › movie › buffalo-66Buffalo '66 - Metacritic

    Jun 26, 1998 · Buffalo '66 is an easy film to dislike, especially in the opening minutes. The way the female lead is mistreated arouses anger. But a few more minutes in and the film begins to reveal an edgy, dark humor and bitter honesty that is somewhat reminiscent of Coen Brothers and Jarmusch films.

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