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Conversely, in the Mozartian concept, the piano entry is always a moment of great importance, and he varies it considerably from concerto to concerto. The only exception to this rule is the dramatic intervention of the piano in the second bar of the Jeunehomme Concerto, which is, however, minor enough not to disturb the overall structure.
- Rachmaninov – Piano Concerto No.2. This colossus of the piano repertoire topped the annual Classic FM Hall of Fame for the first time in 2001 and hasn’t strayed far since, reaching that No.1 spot an impressive eight times so far, since the chart began in 1996.
- Beethoven – Piano Concerto No.5 (‘Emperor’) We all know you shouldn’t judge a book by its cover, but in this case you absolutely can: Beethoven’s Piano Concerto No.5 absolutely lives up to its imperial nickname.
- Grieg – Piano Concerto in A minor. The great Norwegian composer Edvard Grieg only completed one piano concerto during his lifetime, and it has become one of the most recognised in the world (thanks, in part, to the iconic comedy sketch by Morecambe and Wise, and the late André Previn).
- Shostakovich – Piano Concerto No.2. Shostakovich himself downplayed this concerto, saying it had “no redeeming artistic merits”, but audiences have always begged to differ.
Mozart Piano Concertos, compositions by Wolfgang Amadeus Mozart not only numerous in quantity and excellent in quality but also standing very early in the existence of the genre and, indeed, of the piano itself. Mozart’s 27 concerti for solo piano and orchestra, composed between 1767, when he was.
- Betsy Schwarm
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- Flute Concerto No. 2 in D Major – K. 314. Mozart’s Flute Concerto No. 2 is an adaption of the original concerto composed for oboe in 1777. It came into creation when flutist Ferdinand De Jean commissioned Mozart to compose four new quartets and three new concertos for flute.
- Piano Concerto No. 24 in C minor – K. 491. Who doesn't love it when Mozart composes in minor keys? Piano Concerto No. 24 is actually one of only two piano concertos Mozart wrote in a minor key (the other is Piano Concerto No. 20 in d minor).
- Piano Concerto No. 9 in E flat Major – K. 271. Fun, exuberant, lovely, and pleasant are words that come to mind when describing Mozart’s Piano Concerto No. 9.
- Piano Concerto No. 17 in G Major – K. 453. Scored for flute, two oboes, two bassoons, two horns, strings, and solo piano, Mozart completed his Piano Concerto No. 17 in 1784.
- Jessica Duchen
- 21 min
- Beethoven: Piano Concerto No. 4 – and No. 5 too. Composers have been trying to beat Beethoven for 200 years. Few succeed. Choosing the best of his five piano concertos is an unenviable task – and so I suggest both his Fourth and Fifth concertos as equal crowning glories of the repertoire.
- Rachmaninov: Piano Concerto No. 2. Come on, don’t be mean – this concerto is perfect. It’s almost impossible to fault one page, one phrase, one note in one of the greatest piano concertos.
- Mozart: Piano Concerto In C Minor, K491. Mozart’s 27 piano concertos comprise the largest body of piano concertos that are regularly heard in concert halls, although (scandalously) a relatively small handful are regularly performed.
- Brahms: Piano Concerto No. 1. This concerto took two different forms – symphony, then two-piano sonata – before settling down as a concerto. It was profoundly affected by the fate of Robert Schumann.
Jan 18, 2023 · Mozart’s piano concertos are some of his most celebrated works, and are considered to be some of the best concertos ever written. Some consider Mozart’s 27 piano concertos to be one of the best pieces of classical music ever composed. Mozart rarely deviates from the formula he used for his concertos, which he used for his entire career.
In only four other piano concerti by Mozart are the slow movement in a minor key (K. 271, K. 456, K. 482, and K. 488). This concerto also opens in triple meter, an unusual feature of Mozart's 27 piano concertos; only K. 41, K. 413 , K. 491 , and K. 449 open in triple meter.
