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- After a brief detainment by British authorities in 1945, Harbou continued to publish, to write screenplays, and to give lectures at the Free University of Berlin into the 1950s. In July 1954, she died from internal bleeding after tripping and falling in front of a movie theatre.
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From July to October 1945, Thea von Harbou was held in Staumühle, a British prison camp. Though many have asserted she had significant Nazi sympathies, von Harbou claimed she only joined the Nazi Party to help Indian immigrants in Germany, like her husband.
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Sep 16, 2013 · Lang and von Harbou divorced in 1933. With the rise of Nazism, Lang left Germany, but von Harbou stayed and continued to work under the Nazis. In fact prominent Nazis expressed admiration for Metropolis — by some accounts, it was Hitler’s favourite film.
At a 1954 revival of “Der Müde Tod,” she slipped and fell and died several days later of complications. On her wall – once covered with the art of the world while she lived in splendor in the pre-war years – were two photos. One was of Ganhdi and the other was of Adolf Hitler.
von Harbou, Thea (1888–1954) German screenwriter, novelist, director and actress who is best known for her novel and screenplay Metropolis . Born on December 27, 1888, in Tauperlitz bei Hof, Bavaria; died in West Berlin on July 1, 1954; daughter of Theodor von Harbou and Clotilde (d'Alinge) von Harbou; married Rudolf Klein-Rogge, in 1914 ...
Metropolis is a 1925 science fiction novel by the German writer Thea von Harbou. The novel was a treatment for Fritz Lang's 1927 film Metropolis, on which von Harbou and Lang collaborated in 1924.
Feb 12, 2016 · After he left Germany in 1934, his films inhabited fully the terrain that Harbou had only skated around: paranoia, cults of personality, distrust of authority figures. The genius of his own work, as well as his work with Von Harbou, is its total subjectivity.
Thea von Harbou, one of three German screenwriters who Pudovkin singles out, stands alongside Carl Mayer as one of the most influential film figures in Weimar German cinema, which spanned the years 1919 to 1933.
