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- Alexander Hamilton. “How does a bastard, orphan, son of a whore and Scotsman…” Has a musical opening number ever unpacked so much historical context with so much style and verve?
- Aaron Burr, Sir. Daveed Diggs as the Marquis de Lafayette, Okieriete Onaodowan as Hercules Mulligan, Lin-Manuel Miranda as Alexander Hamilton, Leslie Odom, Jr.
- The Schulyer Sisters. Although a lot of Hamilton is men arguing about things, because that’s largely what history is, the women of the show are given some of its greatest moments.
- You'll Be Back. Jonathan Groff as King George. Disney+ If the genius of a song is to be judged by the number of days it takes to get out of your head, You’ll Be Back surely wins the award for the most inspired number of all time.
- Yorktown (The World Turned Upside Down) Of all the intricate melodies and clever lyrics woven through the musical, no one song captures what makes Hamilton so utterly unique like “Yorktown (The World Turned Upside Down).”
- Satisfied. This song is emotional, relatable and a heartbreaking flashback that sheds light on the foundation of both Angelica’s and Eliza’s relationships with Hamilton.
- Alexander Hamilton. The opening line of the show is now one of the most defining lyrics of the American musical canon. “How does a bastard, orphan, son of a whore,” has come to signify a shift in our Broadway musical tradition.
- My Shot. Another fast-paced one, it introduces the audience or listener to the complexity of Hamilton, the man, and lays the groundwork for how he’ll clash with the rest of the cast later on.
- Alexander Hamilton. The opening number of Hamilton isn’t just an introduction; it’s a lesson in storytelling. This track provides a glimpse into the life of the Founding Father, but it’s the subtle time-jump between verses that rewards repeat listens.
- The Schuyler Sisters. When Angelica, Eliza, and Peggy Schuyler enter the scene, the musical takes on a new perspective. Aaron Burr’s interactions with the sisters are filled with intrigue, and a careful listen reveals subtle wordplay, such as the clever use of commas in “I’m a trust fund, baby, you can trust me.”
- The Twin Songs: Helpess and Satisfied. These two songs, while covering the same events, are best appreciated together. Angelica’s rapid-fire narrative in “Satisfied” adds depth to the sweetness of “Helpless.”
- Dear Theodosia. This understated lullaby carries the weight of foreshadowed tragedy every time Hamilton mentions falling apart for his son. Later in the musical, “Take a Break” brings back the duel motif as Philip plays the piano with Eliza.
- Alexander Hamilton
- Wait For It
- The Room Where It Happens
- Who Lives, Who Dies, Who Tells Your Story
- What’d I Miss?
- The World Was Wide Enough
“How does a bastard, orphan, son of a whore / And a Scotsman, dropped in the middle of a forgotten spot / In the Caribbean by providence impoverished / In squalor, grow up to be a hero and a scholar?” our narrator Aaron Burr asks in Hamilton’s superb opening number. A play with so many moving parts, and such a high-concept needs an indelible openin...
Just like the rest of us, Burr is the main character of his own story. And the show allows him to tell that story in songs like “Wait For It.” “Wait For It” is an exciting, downright explosive bit of songwriting. It’s every bit the “I want” song for Burr that “My Shot” is to Hamilton. And just like Burr and Hamilton are two sides of the same coin, ...
Bless this musical for having a song as brilliant as “The Room Where it Happens” only just being able to crack the top 10. There are hundreds of musicals in which “The Room Where it Happens” would be far and away the standout number. For Hamilton, it’s ninth. “The Room Where It Happens” is another example of the show taking a seemingly bland topic ...
Truly there is no more fitting ending to Hamiltonthan “Who Lives, Who Dies, Who Tells Your Story.” At its core, this is a play not only about legacy but about the fungible nature of legacy. Alexander Hamilton is gone and we know his story lives on. But who will tell that story? Like any good closing number, “Who Lives, Who Dies, Who Tells Your Stor...
Lin-Manuel Miranda has described Thomas Jefferson as the show’s Bugs Bunny. Nowhere is that more apparent than in the ludicrously jaunty track that opens up Hamilton’s Act Two. There might not be a more joyful or outright hilarious three minutes in any of the soundtrack’s 46 songs. After several years spent living it up in France, Daveed Diggs’s TJ...
If “Who Lives, Who Dies, Who Tells Your Story” is designed to make the audience cry, then “The World Was Wide Enough” exists to make them gasp. This penultimate song is a truly stunning piece of work. This is a sprawling performance that brings back “The 10 Duel Commandments” in expected yet still emotional fashion. Then at the play’s climactic mom...
Mar 24, 2023 · Hamilton made history come alive through modern music, proving that hip-hop belonged on a Broadway stage. A New York Theatre Guide article describes the groundbreaking Hamilton score as “ Evita meets Les Misérables and 1776, by way of Notorious B.I.G.”.
May 4, 2024 · Vote up the songs in Hamilton you just can't get out of your head (not that you want to). It's time to rank the best songs from Hamilton. Adapted from Ron Chernow's biography on Alexander Hamilton, the 2015 musical by Lin-Manuel Miranda won 11 Tony Awards, including Best Musical, and a Grammy for Best Mucial Theater Album. While you might know ...
Jul 11, 2020 · The interim that allows a rapping Miranda to offer his love in return, taking on a distinct Ja Rule growl at the end, is just the cherry on top. Wildly catchy and filled with the zest of young love, “Helpless” is one of the best and brightest tracks that Hamilton has to offer. 2. It’s Quiet Uptown.
