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      • In My Own Time is the second and final studio album by Karen Dalton, released by Paramount Records in 1971. The album was produced by Harvey Brooks and was the last of Dalton's work to be released before her death in 1993. In My Own Time was reissued by Light in the Attic in 2006.
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  2. In My Own Time is the second and final studio album by Karen Dalton, released by Paramount Records in 1971. The album was produced by Harvey Brooks and was the last of Dalton's work to be released before her death in 1993. In My Own Time was reissued by Light in the Attic in 2006.

  3. Oct 1, 2021 · A first-time directorial effort by the filmmakers Robert Yapkowitz and Richard Peete, “In My Own Time,” refreshingly, adds a few more adjectives to Dalton’s story and personality. “She...

    • Lindsay Zoladz
  4. Sep 30, 2021 · A documentary chronicles the turbulent life of a singer whose music made a substantial impression on New York’s 1960s folk scene and still resonates today.

    • 85 min
    • Glenn Kenny
  5. Nov 17, 2006 · Like her debut, In My Own Time reveals a demanding, intuitive, eccentric singer and arranger who never sang her own words but clearly and confidently expressed herself with others'. She...

    • Dalton's Oklahoma Upbringing Gave Her An 'Authentic Folk Background'
    • Dalton Wrote, But She Didn't Write Her Own Songs
    • Dalton Had Several Potential Brushes with Fame
    • Bob Dylan Was A Fan, But She Had Mixed Feelings About Him
    • Vanessa Carlton, Deer Tick and Nick Cave Are Among Dalton's Fans
    • A Fire Makes The Documentary Even More Important

    Friend and fellow musician Peter Stampfel notes that Dalton was the only player on New York's famed 1960s Greenwich Village folk scene who had an "authentic folk background." The daughter of a nurse and a welder, she grew up in Enid during the Dust Bowl in an extended family in which everyone played music and sang. Part Cherokee, she experienced pr...

    While the '60s New York folk scene was a time and place dominated by singer-songwriters, Dalton didn’t pen her own material. She was an excellent long-neck banjo and 12-string guitar player and an unsurpassed song interpreter with a haunting voice. Whether she was covering Motown hits, obscure country tunes or forgotten folk standards, her distinct...

    Despite her unique voice and musical skills, Dalton never achieved fame and sometimes seemed to actively avoid potential stardom. Pal and fellow folkie Dick Weissman recalls introducing her to John Phillips, but they couldn't work together because “Karen liked to control things, and John had to control things.” Phillips went on to found The Mamas &...

    Baird, Dalton's daughter, recalls that Dylan was eager to meet her mother, calling her "the female Woody Guthrie."But Dalton mostly told him that he was playing certain chords wrong. Of course, Dylan went on to achieve legendary mainstream success, while Dalton remained a cult favorite. "For a while, she was bitter that his roots music got successf...

    The documentary features interviews with contemporary musicians Vanessa Carlton, Deer Tick and Nick Cave, who are all ardent admirers of Dalton's music. Appearing alongside guitarist Ian O'Neil, Deer Tick singer-songwriter John J. McCauley says he gravitates to singers with unusual voices and "she may be the very best." Carlton submits that Dalton'...

    All of Dalton's journals, poems and handwritten lyrics were destroyed in a 2018 fire. Fortunately, as Walker notes, the film crew had created a photographic record of them months before they were consumed in the blaze. That makes the documentary even more vital as an archival record of her music and perspective.

  6. Sep 30, 2021 · Music. The many mysteries of folk singer Karen Dalton, revealed. By Erin Osmon. October 1, 2021 at 8:00 a.m. EDT. “Karen Dalton: In My Own Time” sheds light on the mysterious folk singer who has...

  7. karendalton.bandcamp.com › album › in-my-own-timeIn My Own Time | Karen Dalton

    Nov 6, 2015 · It features ten songs that reflected Daltons incredible ability to break just about anybodys heart – from her spectral evocation of Joe Tate’s “One Night of Love,” to the dark tragedy of the traditional “Katie Cruel.”