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Polish sculptors
- Recognized as one of the most important Polish sculptors of the post-war era, : 49 : 39 Szapocznikow utilized diverse and experimental mediums to investigate and examine the human form, recalling genres such as surrealism, nouveau realism, and pop art.
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Alina Szapocznikow (Polish: [ʂapɔt͡ʂˈɲikɔf]; May 16, 1926 – March 2, 1973) was a Polish artist and Holocaust survivor. Recognized as one of the most important Polish sculptors of the post-war era, [1] : 49 [2] : 39 Szapocznikow utilized diverse and experimental mediums to investigate and examine the human form, recalling genres such as ...
Alina Szapocznikow (Polish: [ʂapɔt͡ʂˈɲikɔf]; May 16, 1926 – March 2, 1973) was a Polish artist and Holocaust survivor. Recognized as one of the most important Polish sculptors of the post-war era,: 49 : 39 Szapocznikow utilized diverse and experimental mediums to investigate and examine the human form, recalling genres such as ...
Nov 21, 2017 · Photo: Fabrice Gousset. Dismembered limbs and warped torsos, breasts in pudding glasses and crooked stumps of sticky resin resembling mutilated entrails: the work of Alina Szapocznikow can be an unnerving prospect.
Oct 7, 2012 · Spanning one of the most rich and complex periods of the 20th century, Szapocznikow’s oeuvre responds to many of the ideological and artistic developments of her time through artwork that is at once fragmented and transformative, sensual and reflective, playfully realized and politically charged.
Dec 4, 2017 · Szapocznikow didn’t describe herself as a feminist artist—in fact, the term didn’t emerge until the end of her career, in the late 1960s. But as any contemporary scholar of her work will acknowledge, she boldly embedded issues of gender into her bulbous, sensual, and scarred sculptures.
Nov 13, 2017 · Poland’s radical artist and Holocaust survivor is finding fame in the West more than 40 years after her death. 13 November 2017. Text Isabella Smith. Many in the English-speaking world will never have seen the strange, sensual work of artist Alina Szapocznikow. Exploring issues of sexuality, traumatic memory and the material experience of the ...
Home. Features. TOUCHING FROM A DISTANCE: THE ART OF ALINA SZAPOCZNIKOW. By Adam Szymczyk. Alina Szapocznikow working on Le Voyage (Journey), 1967, in her studio in Paris, 1967. IT WAS THE MID-1980S, a bleak, depressed era in post-martial-law Poland, when I first saw Alina Szapocznikow’s 1967 sculpture Le Voyage (Journey) at Muzeum Sztuki in Lodz.
