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The 5th Academy Awards were held by the Academy of Motion Picture Arts and Sciences on November 18, 1932, at the Ambassador Hotel in Los Angeles, California, hosted by Conrad Nagel. Films screened in Los Angeles between August 1, 1931, and July 31, 1932, were eligible to receive awards.
Gregg was born in 1951 to a second generation sound family. His first job, as a film cleaner at Disney Studios, eventually led him to run the dub stage machine room. Gregg has worked as a television and film mixer for several studios including Universal Studios, Goldwyn Studios and currently Warner Bros. Studios.
Check all the awards won and nominated for by Paramount Studio Sound Department - Academy Scientific and Technical Award (Scientific and Engineering award) (1950) , Academy Award for Best Technical Achievement (1949) , Academy Award for Best Technical Achievement (1945) and more awards.
For decades, Douglas Shearer worked at Metro-Goldwyn-Mayer’s sound department, receiving credit in more than 900 productions from the dawn of the sound era ( The Broadway Melody, The Trial of Mary Dugan) to the mid-1950s ( Seven Brides for Seven Brothers, The Student Prince ).
- Andre Soares
Nov 1, 2012 · Originally designed around the animation process, the sound department was created by Jimmy MacDonald, whose inventive sound effects defined the classic Disney animated cartoon. (In 1946, MacDonald became the second voice of Mickey Mouse, after Walt Disney decided that it was time to pass the job onto someone he could trust with his beloved ...
In April, 1927, Warners built the first sound studio to produce a feature film with sound. Another sound feature released on October 6, 1927, and directed by Alan Crosland for Warner Bros. revolutionized motion pictures forever.
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Mar 1, 2014 · At the 26th Academy Awards in 1954, William Lyon, A.C.E., won his first of two Best Editing Oscars, while supervising sound editor John P. Livadary (with two previous wins) and the Columbia Studio Sound Department took the Best Sound Recording Award for their work on Fred Zinneman’s From Here to Eternity (1953).
