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  1. Apr 27, 2017 · Studies in gender and sexuality have placed pressure on naturalized concepts of desire and bodily difference and thus on more obviously musical tropes of embodiment, subjectivity, sensation, gendered representation, expressive content, and aesthetic priorities.

  2. This article builds on research about gender in music practice, concerned with skewed musical canons, ratios and quotas of gender representation, unfair treatment and power dynamics, and the exclusionary enmeshment with music technologies.

    • Ann Werner, Tami Gadir, Sam De Boise
    • 2020
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  4. Perception of gender and music provides a starting point in understanding the sociological role of male/female hierarchies and beliefs on music. Gender is frequently attributed to instrument, musical genre, and preference, and has deeply rooted associations with sociological roles of masculine and feminine domains of thought.

  5. May 21, 2019 · ‘What does gender have to do with music?’, is in this article a question explored in order to 1) give an overview of important themes and areas in feminist interdisciplinary research on music and...

  6. Apr 16, 2014 · Were they present in the musical “message,” gendered qualities might be imparted at any of three stages of the music–communication interchange: the process of composition, its realization into sound by the performer, or imposed by the listener in the process of perception.

    • Desmond C. Sergeant, Evangelos Himonides
    • 2014
  7. Aug 7, 2018 · This is one of the reasons why the pace of change in musical discussions of gender can feel so glacial on one hand and so rapid on the other — it's easy to pick up the surface-level ideas and...

  8. Nov 7, 2022 · Equity and access in the music industry has recently been explored via investigations of gender discrimination in classical music ( Scharff, 2016 ), popular music ( Strong and Raine, 2019 ), film music ( Wilcox, 2021 ), and within the structure of colonization ( Tan, 2021 ).

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