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- Herein resides his power; he exists in a realm both within and beyond time – a motif that is highlighted by Lang’s use of timepieces, for example. This sense of Dr. Mabuse existing between realms is continually reinforced by the film’s characters, who never know precisely the identity of Mabuse even though they have been victimised by his actions.
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Dr. Mabuse the Gambler ( German: Dr. Mabuse, der Spieler) is the first film in the Dr. Mabuse series about the character Doctor Mabuse who featured in the novels of Norbert Jacques. It was directed by Fritz Lang and released in 1922.
Mar 21, 2023 · Frances Guerin’s ‘Fritz Lang’s cinema of interruption and the narrative of modernity’ presents Dr Mabuse, the Gambler as a combination of a criminal detective serial and a ‘modernist cinematic play with time, space, form and audience expectation’. As a modern work, Guerin argues, the film demands that alongside Mabuse’s status as ...
Explicitly positioned as a representative figure (the first half of the film is subtitled An Image of Our Times), Mabuse draws upon technological advances in communications and synchronization to exert control over time and space—a totalizing form of power that mirrors the work of the film director. “Once the universe has been struck by ...
A formidable piece of silent film history (the 2000 restored version runs 270 minutes), Dr. Mabuse the Gambler marks the first installment in a series that would resurface two more times over the course of Fritz Lang’s career.
May 6, 2020 · The title card for “Dr. Mabuse the Gambler,” the German director Fritz Lang’s 4½-hour silent so-called “super-film,” promises “a portrait of our time.” That time was 1922.
Aug 13, 2019 · Dr. Mabuse is — simultaneously — a practicing psychoanalyst with powers of telepathic hypnotism, a leader of a large criminal organization (that engages in stock market destabilization, counterfeiting, and also dupes wealthy gamblers in clandestine casinos), and a master of disguise.
Jul 18, 2006 · As played by Rudolf Klein-Rogge in Fritz Lang and Thea von Harbou’s two-part adaptation of the Norbert Jacques novel, Mabuse is a true bogeyman, a hollow shell of surface tics with a terrifying dead-eyed stare.
