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Dec 11, 2022 · Guillermo Del Toro. Guillermo Del Toro embraces the grotesque in his films. In the cinematic worlds he creates, monsters guide, protect, and comfort humans, blurring the line between the monstrous and the humane. Del Toro identifies with monsters as outsiders and regards them as worthy of reverence: “I was lost when they found me, the monsters.
- Guillermo Del Toro’s Color Palette
- The Use of Violence in Film
- Monsters and Character Design
- Using Objects to Tell A Story
- Trauma and Other Themes
Starting off, we’re going to look at how Guillermo del Toro uses color in his films. Like many directors, del Toro certainly has his preferences; many of his films employ the same dark, muted, earth-tonedlooks for his characters, creatures, costumes, and designs. However, despite adding a bit of normalcy to his fantastical creations, he still follo...
While it’s not really accurate to say that del Toro makes “violent” films, violence certainly plays a part in del Toro’s approach to storytelling, especially as a means to demonstrate power and evil. In the well-presented Screenedvideo essay above, you’ll see examples and explanations of the many different types of violence found in del Toro’s work...
Del Toro’s films are legendary for their iconic creatures, fantastic monsters, and uncanny characters, from the Judas breed in Mimic to the faun in Pan’s Labyrinth to the Amphibian Man in The Shape of Water. But, it takes more than eye-catching concept art to bring these creatures to life. Del Toro puts it best in the above video essay from kaptain...
As the YouTube channel Little White Liespoints out, Guillermo del Toro’s fetish for symbolic talismans is an ever-present element of his storytelling. When these items are on screen, meaning abounds. Whatever the object—be it a key, a suitcase, or, frequently, a clock—any item carried by a del Toro character is a vital glimpse into how that charact...
Many of the themes del Toro explores in his films are indeed at the heart of his own personal thoughts and feelings. In particular, del Toro has devoted a number of his films to exploring the repressed trauma from different wars, often focusing on the Spanish Civil War, in particular. It’s impossible to say exactly how del Toro views himself as a f...
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Mar 5, 2018 · March 5, 2018 3 AM PT. Guillermo del Toro infuses the grotesque with innocence and wonder, as if he has slipped into our dreams and fascinations, not to judge, but to find truth and grace...
- jeffrey.fleishman@latimes.com
- Staff Writer
Dec 9, 2022 · The cynical answer is that by placing stories designed for children within the context of mankind’s greatest atrocity, he grounds the fantastical story, providing heightened stakes. But this ignores another running theme throughout del Toro’s films: his love of monsters.
Jan 28, 2007 · Teresa Isasi/Picturehouse. Director Guillermo del Toro is no stranger to the grotesque and the fantastic. His past films includes the vampire flick Cronos and the comic-book adaptation...
Oct 19, 2016 · In the following excerpt, the director discusses how he transforms his artistic influences through his own free-flowing, organic creative process. In a conversation with German children’s author Cornelia Funke, the Mexican director discusses his fascination with myths and fairy tales.
2 days ago · Audio commentary by co-writer and director Guillermo del Toro The House is Alive: Constructing Crimson Peak, a feature-length documentary with cast and crew interviews and extensive behind the scenes footage Spanish language interview with Guillermo del Toro The Gothic Corridor, The Scullery, The Red Clay Mines, The Limbo Fog Set; four featurettes exploring different aspects of Allerdale Hall ...
