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  1. Jacques Rivette ( French: [ʒak ʁivɛt]; 1 March 1928 – 29 January 2016) was a French film director, screenwriter and film critic. He wrote and directed twenty feature films, including the two-part Joan the Maiden, eight short films and a three-part television documentary. He also acted in small roles and participated in documentaries. [1]

  2. Jacques Rivette ( French: [ʒak ʁivɛt]; 1 March 1928 – 29 January 2016) was a French film director and film critic most commonly associated with the French New Wave and the film magazine Cahiers du Cinéma. He made twenty-nine films, including L'Amour fou (1969), Out 1 (1971), Celine and Julie Go Boating (1974), and La Belle Noiseuse (1991).

  3. He made five films, but only one of them, Love on the Ground (1984) , opened in the US (it received disastrous reviews). Although he continues to be an innovative and challenging artist, Rivette has failed to find the type of audience that has contributed to the commercial success of his New Wave compatriots. Born March 1, 1928.

    • January 1, 1
    • Paris, France
    • January 1, 1
  4. A drama following 4 women at stage school. Considered by some to be the summation of director Jacques Rivette's work as a whole. Director: Jacques Rivette | Stars: Bulle Ogier, Benoît Régent, Fejria Deliba, Laurence Côte. Votes: 1,140

  5. Jacques Rivette was a French film director, screenwriter and film critic. He wrote and directed twenty feature films, including the two-part Joan the Maiden, eight short films and a three-part television documentary. He also acted in small roles and participated in documentaries. After making his first short film, Aux quatre coins, in his hometown of Rouen, Rivette moved to Paris in 1949 to ...

  6. Mar 6, 2016 · Give it your full attention, and Out 1 has immense rewards for the viewer, one of the great long works of cinema. 5. Celine and Julie Go Boating (1974) “More often than not, it begins like this” states the title introducing the film, a common Rivette device and signature.

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  8. Jacques Rivette's first exposure to commercial filmmaking came when he worked as a trainee assistant on Jean Renoir's French Cancan and Jacques Becker's Ali Baba et les 40 voleurs in 1954. His Nouvelle Vague debut came with his 1956 short film Le Coup du berger, which he shot in Claude Chabrol's apartment.