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  1. en.wikipedia.org › wiki › I_clownsI clowns - Wikipedia

    I clowns (also known as The Clowns) is a 1970 mockumentary film by Federico Fellini about the human fascination with clowns and circuses. [1] Plot summary [ edit ]

  2. I did enjoy lots of it and I definitely came away with a renewed enchantment for the entire spectacle of the circus and clowns. It works very well if you just sit back, turn your brain off, and just let the flick take you on a journey to a time and place long forgotten.

  3. It has two absolutely masterful stretches of "pure" Fellini -- the little boy at the beginning who's scared of clowns, and the elaborate clown funeral at the end -- but in between, there are some embarrassing moments when the master is clearly treading water.

  4. Jan 27, 2020 · Fellini’s Circus, an excellent, informative video essay included in the 2011 DVD released by Rarovideo, explains the content of the film. While thorough, there’s a hint of the magic, the distortion, the chaos, the curiosity that can never be recaptured the way it can be seen going in cold.

    • Is Fellini's 'I clowns' a Requiem?1
    • Is Fellini's 'I clowns' a Requiem?2
    • Is Fellini's 'I clowns' a Requiem?3
    • Is Fellini's 'I clowns' a Requiem?4
    • Is Fellini's 'I clowns' a Requiem?5
  5. Apr 17, 2011 · While the film actually closes with a sentimental horn duet for two clowns in an empty ring, the climax that comes before gives the more modest scene the air of a requiem. Like many a mondo, I Clowns is a hit-or-miss project.

    • Is Fellini's 'I clowns' a Requiem?1
    • Is Fellini's 'I clowns' a Requiem?2
    • Is Fellini's 'I clowns' a Requiem?3
    • Is Fellini's 'I clowns' a Requiem?4
    • Is Fellini's 'I clowns' a Requiem?5
  6. Jun 17, 2021 · A fascinating and clever interlude follows as Fellini describes how various clowns remind him of some of the silly and pompous inhabitants of his hometown, such as a blustering stationmaster (Aristide Caporale) and an imperious fascist official (Dante Cleri).

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  8. I Clowns is Fellini’s 1970 feature-length version of that (except, sadly, without Jerry Lewis), a half-documentary/half-narrative investigation into the hold that circus performers have over crowds, and what draws those performers to such a life.

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