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  1. 5 days ago · Martin Scorsese is an American filmmaker known for his harsh, often violent depictions of American culture. From the 1970s Scorsese created an ambitious body of work that made him one of the most important filmmakers of the late 20th and early 21st centuries.

    • Michael Barson
  2. Scorsese won the Palme d'Or at Cannes with his 1976 psychological thriller Taxi Driver, which starred Robert De Niro, who became associated with Scorsese through eight more films including New York, New York (1977), Raging Bull (1980) The King of Comedy (1982), Goodfellas (1990), and Casino (1995).

  3. Actor. IMDbPro Starmeter Top 500 62. Play clip 1:49. All About 'Killers of the Flower Moon' 58 Videos. 99+ Photos. Martin Charles Scorsese was born on November 17, 1942 in Queens, New York City, to Catherine Scorsese (née Cappa) and Charles Scorsese, who both worked in Manhattan's garment district, and whose families both came from Palermo, Sicily.

    • January 1, 1
    • 1.60 m
    • Queens, New York City, New York, USA
  4. Apr 19, 2019 · The depth of quality- Scorsese is a perfectionist so there’s never a lackluster effort- the images below from his 8-10 best films ( Shutter Island, King of Comedy, Aviator) are incredible—but you could grab some from films like After Hours, Kundun and Gangs of New York as well.

    • Is Martin Scorsese the king of cinema?1
    • Is Martin Scorsese the king of cinema?2
    • Is Martin Scorsese the king of cinema?3
    • Is Martin Scorsese the king of cinema?4
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  6. Oct 19, 2023 · 19th October 2023. Popping up on NME ‘s screen is Martin Scorsese: the elder statesman of cinema. The GOAT you might say. And with a CV bursting with classics – Taxi Driver, Raging Bull, The King...

  7. Oct 6, 2023 · Why Martin Scorsese fears for the future of cinema. The great US filmmaker is back with true-crime thriller Killers of the Flower Moon. In an intimate chat with Tom Brook, he discusses...

  8. Oct 17, 2023 · Martin Scorsese became the filmmaker that he is by growing up on the studio system in the ‘40s and ’50s, where even despite the stringent studio interest guidelines and auxiliary intervention...